Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1 Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of…

Par FAURE GABRIEL. Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for Cello and Piano in early 1917, thus realising a long-conceived plan. In their predisposition and attitude, both works are very closely related. In the Cello sonata, a sombre, dramatic opening movement is also followed by a calm, relaxed slow middle movement and a graceful finale. The…

Tragédie en cinq actes. Par RAMEAU JEAN-PHILIPPE. Rameau 's ; Hippolyte Et Aricie presents nymphs and deities in abject disarray. This tragedie en musique is a fascinating masterpiece by the French baroque composer, and the score of the final 1757 version is the result of his many years experience with the theatre. Rameau revised the opera twice after its première in 1733, shortening the original …

Par RAVEL MAURICE. A moving fugal suite by French composer, Maurice Ravel which he begun even before World War I. This Piano version was completed in 1918 and in honour of the fallen soldiers, he called it Le Tombeau de Couperin literally ‘ Couperin's Tomb' after François Couperin, a 17th-century composer whom Ravel chose to represent the French nation. / Urtext / Répertoire / Piano

Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1 Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of…

Par VIVALDI ANTONIO. One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op. 8 are presented here in an authoritative Barenreiter Urtext edition. This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi’s circle and represents an alternative (in ma…

Op. 14. Par ELGAR EDWARD. With his Vesper Voluntaries, Edward Elgar composed a wealth of organ pieces for performance in church services and concerts. The wonderful miniatures, composed in song form, two to three minutes in length, can be performed individually or as a complete cycle. They are of moderate difficulty and intended for manuals, but they can optionally also be played with pedal. This …

Par DEBUSSY CLAUDE. Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances are also playable without problem on the pedal harp, which was to replace the chromatic harp on the concert platform. The archaic style of the pieces, including modal harmonies, used…

KV 207, 211, 216, 218, 219, 261, 269 (261a), 373. Par MOZART WOLFGANG AMADEUS. Based on the Urtext of the 'New Mozart Edition”, this new study score unites the five violin concertos and the 3 single movements for violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information. Full scores, piano reduction…

D-Dur. Par BEETHOVEN LUDWIG VAN. Beethoven’s masterpiece – Urtext - edited by Ernst Herttrich - informative and comprehensive foreword in three languages - critical Report in compact form with information about the source situation, the edition, and containing the individual readings [/ Répertoire / Chant

Par PAGANINI NICCOLO. Transcribed and edited by Vieri Bottazzini. I 24 Capricci di Paganini trascritti per flauto da Vieri Bottazzini a partire dall'Urtext dell'edizione del 1820. Segni dinamici, abbellimenti, accenti e altri segni di espressione sono stati adattati - dove necessario - alla più familiare notazionemoderna, rispettando quanto indicato in origine da Paganini. La trascrizione offre un…

Par BACH JOHANN SEBASTIAN. Version of 1736 (final version) Bach ?s St. Matthew Passion passed through several stages in its progress towards its final form, stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas?s Church, Leipzig, in a version of which the copy made by Bach ?s son-in-law Johann Christoph Altnic…

Violin. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of th…

Violine 2. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically du…

Par TELEMANN GEORG PHILIPP. 74 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Cantatas For The Sundays After Trinity - Medium Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have…