Orchestral version of 1785. Par HAYDN FRANZ JOSEF. The Seven Last Words Of Our Saviour On The Cross Hob. XX:1A - Orchestral version of 1785. Urtext from Joseph Haydn Werke, G. Henle Verlag Munich. Study score format 22. 5 x 16. 5 cm. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study…

Par MARTIN MATTHEW. The Festival Anthem I saw the Lord (2012) is a setting of words from Isaiah Ch 6, some of which are perhaps better known in the context of the great Victorian anthem by John Stainer. This Trinitarian/Dedication text (starting with the words “in the year that King Uzziah died”) is both powerful and full of dramatic imagery - flying seraphim, live coals, cries of the Tersanctus -…

Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available mode…

Edited from the source by Michael Beiche. Fingerings and notes on interpretation by Tobias Koch. Par SCHUMANN ROBERT. Three Romances Op. 28 by Robert Schumann is a highlight of Romantic piano music, reflecting the broad facets of everything that could be seen as \'romance\' in 19th-century music. The new edition is based on the New Schumann Complete Edition and thus represents the latest state of …

Par BACH JOHANN SEBASTIAN. Study score format 22. 5 x 16. 5 cm; With an introduction in English and German by Alfred Dürr. The 2nd version with the 4 inserts from the E-flat major version (transposed into D major). Barenreiter Urtext: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated sch…

Par TELEMANN GEORG PHILIPP. Telemann ’s Passion oratorio Der Tod Jesu was composed in 1754/55, almost at the same time as the same-named work of note by Carl Heinrich Graun. Both compositions are based on the same libretto by Karl Wilhelm Ramler. In this late work, Telemann consciously juxtaposes carefully structured recitatives with musically reduced festive choruses, thus lending the passion tex…

Wiener Urtext Edition Antonín Dvorák Sonatina in G major op. 100: Urtext, for violin and piano, edited by Brigitte Kenitar-Pinder, intermediate level of difficulty, ISBN 9783850555708, ISMN 9790500571339, UT 50162, 23 x 30.5 cm, 38 / 15 pages / Wiener Urtext Edition

Par HAYDN FRANZ JOSEF. German/English Urtext Edition, edited A. Oppermann. The oratorio The Creation represents not only a crucial point in Joseph Haydn's compositional output, but at the same time, marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century, Haydn broke with the traditional dominance of the arias, giving the chorus a distinctly greater sig…

Par BACH JOHANN SEBASTIAN. This excellent book of first classics for Piano Solo and Duet is by renowned pianists Fanny Waterman and Marion Harewood. It contains over twenty progressive and graded studies aimed toward the pianist who has begun to master a basic technique, as well as five duets. The Waterman/Harewood Piano Series is devised jointly by world-famous piano teacher Fanny Waterman and he…

A Chorale and Fugue in the Baroque Tradition. Par HAYES MARK. If you enjoy singing Baroque music and value the importance of kindness, courage and compassion, this new 30 minute through-composed work by Mark Hayes for chorus, soprano and tenor soloists and orchestra is for you. Drawing from the writings of ancient and contemporary authors, the original text of Kindness, written by Hayes, seeks to …

Sololied. 5 transcriptions by the composer between 1817 and 1821. Par SCHUBERT FRANZ. Ausgaben Für Die Praxis Nach Der Neuen Schubert-Ausgabe. Urtext / Classique / Répertoire / Voix Hautes et Piano

Opera in three acts. Par HAENDEL GEORG FRIEDRICH. ; Almira, Handel's first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking's text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in …

for 3 Violins, Strings and Basso Continuo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment change…

for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he …