Par WILLMINGTON EDWIN M.. Keep Me Near the Cross is a new musical setting of a familiar Fanny Crosby text. Written in a flowing melodic style, the new music ties together some of the textual phrases in a meaningful manner. There is one option for the soloist to invite a congregation to join with the familiar refrain of the original tune. / Date parution : 2022-07-28/ Répertoire / Chant et Piano

Par SCHUBERT FRANZ. Edition Urtext de Walther Dürr d'après la Nouvelle Edition Complète des oeuvres de Schubert, comprennant la tonalité d'origine ainsi que la transposition. Une coproduction avec Bärenreiter-Verlag, Kassel. Contenu: Am Fenster op. 105, 3 D 878 An Silvia op. 106, 4 D 891 Das Heimweh op. 79, 1 D 851 Das Weinen op. 106, 2 D 926 Das Zügenglöcklein op. 80, 2 D 871 Der Wanderer an den …

Par SCHUBERT FRANZ. Edition Urtext de Walther Dürr daprès la Nouvelle Edition Complète des oeuvres de Schubert, comprennant la tonalité dorigine ainsi que la transposition. Une coproduction avec Bärenreiter-Verlag, Kassel. Contenu: Am Grabe Anselmos op. 6, 3D 504 Am Strome op. 8, 4 D 539 An die Nachtigall op. 98, 1 D 497 Antigone und Oedip op. 6, 2 D 542 Der Jüngling auf dem Hügel op. 8, 1 D 702 D…

Par JARRELL MICHAEL. I had already discovered texts from Gongora for some time in the bilingual edition of the Dogana, beautifully translated by Philippe Jaccotet. I found those poems were really rich, impossible to reduce to a single meaning. This is what drove me to use one of this author's sonnets at the time, in its original language, and to compose Eco for voice and piano. Recently, I discov…

Par WYKOFF JOHN. Premiered in 2023 by an American choir and French orchestra in Caen, France, Out of this Darkness: A Normandy Cantata dares to hope for a repentance from the interminable waves of violent conquest. The salty shores of Normandy have washed away more blood than can be measured, and when you perform this work, you can participate in the washing. The new text, written by Charles Antho…

for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 17 G major K. 453. Piano Solo, Flute, Oboe (2), Bassoon (2), Horn (2), Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic perfo…

Par BRUCH MAX. Aside from his popular Violin Concerto no. 1, “ Kol Nidrei ” numbers among Max Bruch ’s most famous compositions. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor Cello sound is the ideal medium for …

Nach Texten Von Franz Schubert. Par HOLLIGER HEINZ. I was in the middle of a recording project featuring Franz Schubert’s complete symphonies and other orchestral works, when I received a request from Anna Lucia Richter asking if I could compose a companion piece for Schubert’s The Shepherd on the Rock. I was inspired by the movingly simple yet profoundly mysterious musical text Schubert had publi…

Kommt, Eilet Und Laufet. Par BACH JOHANN SEBASTIAN. Critical new edition 2004, edited by Ulrich Leisinger: Carus 31. 249; old edition, edited by Dieter Hellmann: Carus 31. 249/50. Parody of the secula cantata 'Entfliehet, verschwindet, entweichet, ihr Sorgen' BWV 249a. Like the Ascension Oratorio BWV 11, Johann Sebastian Bach’s Easter Oratorio BWV 249 is entirely and unjustly overshadowed by his t…

Kommt, Eilet Und Laufet. Par BACH JOHANN SEBASTIAN. Critical new edition 2004, edited by Ulrich Leisinger: Carus 31. 249; old edition, edited by Dieter Hellmann: Carus 31. 249/50. Parody of the secula cantata 'Entfliehet, verschwindet, entweichet, ihr Sorgen' BWV 249a. Like the Ascension Oratorio BWV 11, Johann Sebastian Bach’s Easter Oratorio BWV 249 is entirely and unjustly overshadowed by his t…

Kommt, Eilet Und Laufet. Par BACH JOHANN SEBASTIAN. Critical new edition 2004, edited by Ulrich Leisinger: Carus 31. 249; old edition, edited by Dieter Hellmann: Carus 31. 249/50. Parody of the secula cantata 'Entfliehet, verschwindet, entweichet, ihr Sorgen' BWV 249a. Like the Ascension Oratorio BWV 11, Johann Sebastian Bach’s Easter Oratorio BWV 249 is entirely and unjustly overshadowed by his t…

Kommt, Eilet Und Laufet. Par BACH JOHANN SEBASTIAN. Critical new edition 2004, edited by Ulrich Leisinger: Carus 31. 249; old edition, edited by Dieter Hellmann: Carus 31. 249/50. Parody of the secula cantata 'Entfliehet, verschwindet, entweichet, ihr Sorgen' BWV 249a. Like the Ascension Oratorio BWV 11, Johann Sebastian Bach’s Easter Oratorio BWV 249 is entirely and unjustly overshadowed by his t…

Kommt, Eilet Und Laufet. Par BACH JOHANN SEBASTIAN. Critical new edition 2004, edited by Ulrich Leisinger: Carus 31. 249; old edition, edited by Dieter Hellmann: Carus 31. 249/50. Parody of the secula cantata 'Entfliehet, verschwindet, entweichet, ihr Sorgen' BWV 249a. Like the Ascension Oratorio BWV 11, Johann Sebastian Bach’s Easter Oratorio BWV 249 is entirely and unjustly overshadowed by his t…

Par FAURE GABRIEL. Being such a prolific composer, particularly for Vocal and Piano works, Gabriel Faure 's music is always addressed with high expectations. His Les Djinns for SATB choir and Piano is no exception. Faure (1845-1924) began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saë ns. Faure 's career saw…