| Sonata - Landscape (KLEIN GIDEON) Piano, Voix [Conducteur] Barenreiter
Sonáta - Krajina. Par KLEIN GIDEON. The extraordinarily gifted composer and pianist Gideon Klein (1919'1945) was murdered in the Fürstengrube concentration camp at the age of 25. One of the undeniable highlights of his small compositional legacy is his Sonata for Piano. Its three movements were written in reverse order in the Terezín concentration camp in 1943; only a three-measure draft of the in…
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| The Cunning Little Vixen (JANACEK LEOS) Orchestre [Partition] Barenreiter
Opera in three acts. Par JANACEK LEOS. Leos Janacek began composing his seventh opera, 'The Cunning Little Vixen', based on the popular feuilletons of Rudolf Tesnohlidek, in January 1922. The first copy of the score, was completed by Vaclav Sedlacek in October 1923 but is now lost, while the second copy was prepared by Jaroslav Kulhanek in January 1924.
The world premiere took place on 6 November…
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| Airs D'Opéra (RAMEAU JEAN-PHILIPPE) Voix Soprano, Piano Barenreiter
Operatic Arias - Vol. 2. Par RAMEAU JEAN-PHILIPPE. Like Volume 1, Volume 2 contains the lyric soprano parts for the main characters. Soprano arias from the operas: “Les Indes galantes” (Émilie, Zinna) / “Io” (Io) / “Naïs” (Naïs) / “La Naissance d’Osiris” (Pamilie) / “Les Paladins” (Argie) / “Les Surprises de l’amour” (Adonis, Parthénope) / “Zaïs” (Zélidie) / “Zéphyre” (Zéphyre) /“Zoroastre” (Áméli…
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| Keep Me Near the Cross (WILLMINGTON EDWIN M) Piano, Voix [Partition] Hal Leonard
Par WILLMINGTON EDWIN M.. Keep Me Near the Cross is a new musical setting of a familiar Fanny Crosby text. Written in a flowing melodic style, the new music ties together some of the textual phrases in a meaningful manner. There is one option for the soloist to invite a congregation to join with the familiar refrain of the original tune. / Date parution : 2022-07-28/ Répertoire / Chant et Piano
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| Sinfonie Nr.26 (MOZART WOLFGANG AMADEUS) Orchestre [Partition] Barenreiter
Par MOZART WOLFGANG AMADEUS. Study Score format 22. 5cm x 16. 5cm. The Symphony No. 26 In E-Flat, K. 184 (166a) was probably written in Salzburg in March 1773. Scored for Flute (2), Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Strings. Available for sale full score & performance material (BA4744) and study score (TP72). The Barenreiter Urtext study scores are a prime example of how Barenreiter ta…
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| Allegro Barbaro (BARTOK BELA) Piano seul G. Henle
Par BARTOK BELA. Composed in 1910/11, Bartók's Allegro barbaro is one of his best-known and most popular works for piano. The composer himself enjoyed performing it in concerts, and recorded it several times. The recording from 1929, which he referred to as the 'authentic recording”, contains very interesting divergences from the printed version as far as articulation, tempo and even the number of…
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| Piano Trios (MENDELSSOHN-BARTHOLDY FELIX) Piano Trio: piano, violon, violoncelle [Partition] G. Henle
Herttrich Ernst (Editor) - Schilde Klaus (Editor). Par MENDELSSOHN-BARTHOLDY FELIX. After an early work and a discontinued attempt in 1831/32 Mendelssohn made his breakthrough in this important chamber music genre in the summer of 1839 with the Piano Trio in d minor op. 49, which was to be followed six years later by the Trio in c minor op. 66. On publication of the first trio, Schumann took the o…
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| Laudibus In Sanctis (Praise The Lord Among His Holy Ones) Chorale SATB [Partition] Stainer and Bell
Praise The Lord Among His Holy Ones. Par BYRD WILLIAM. SSATB unaccompanied Latin and English Texts Edited by E H Fellowes. Revised by Thurston Dart/ Répertoire / SATB a Cappella
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| Rounds Or Catches - Canons De La Renaissance Anglaise (RAVENSCROFT THOMAS) 3 à 11 instruments en clé de Sol [Partition] Combre
Par RAVENSCROFT THOMAS. Chanteur, compositeur, théoricien de la musique, Thomas Ravenscroft (vers 1590-1635) est passé à la postérité comme collecteur et premier éditeur de chansons populaires et de canons anglais (rounds ou catches).
Conçus pour être chantés à l'unisson dans des tessitures variées, les canons étaient également appréciés sur des instruments tels que flûte à bec ou violes.
Les cano…
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| Rounds Or Catches - Canons De La Renaissance Anglaise (RAVENSCROFT THOMAS) 3 à 11 instruments en clés de Fa et Ut [Partition] Combre
Par RAVENSCROFT THOMAS. Chanteur, compositeur, théoricien de la musique, Thomas Ravenscroft (vers 1590-1635) est passé à la postérité comme collecteur et premier éditeur de chansons populaires et de canons anglais (rounds ou catches).
Conçus pour être chantés à l'unisson dans des tessitures variées, les canons étaient également appréciés sur des instruments tels que flûte à bec ou violes.
Les cano…
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| Through Moanin' Pines (BURLEIGH HARRY T) Orchestre à Cordes [Conducteur et Parties séparées] Hal Leonard
for Strings Score and Parts. Par BURLEIGH HARRY T. / MORALES DION (Arr.). Dion Morales arranged Through Moanin\' Pines by Harry T. Burleigh allowing younger musicians to celebrate and perform music by a composer of color. A masterful edition of this spiritual, soulful tune provides opportunities for expression, discussion of the heritage of the music and its composer, and a musical experience not …
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| Il Prigionier Superbo (PERGOLESI GIOVANNI BATTISTA) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Ricordi
Edizione Critica A Cura Di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705), Il prigionier superbo by Giovanni Battista Pergolesi was f…
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| 4 Pezzi Sacri Per Canto E Pianoforte (VERDI GIUSEPPE) Chorale SATB Ricordi
Par VERDI GIUSEPPE. Four sacred pieces by Giuseppe Verdi, for Voice and Piano - edited for this volume by G. Luporini. Latin Text. Four sacred pieces by Giuseppe Verdi, for Voice and Piano - edited for this volume by G. Luporini. Latin Text./ Répertoire / Choeur
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| Sonata For Pianoforte In A-Flat Major Op. 110 (BEETHOVEN LUDWIG VAN) Piano seul Barenreiter
Par BEETHOVEN LUDWIG VAN. Owing to severe illness, Beethoven had to wait for over a year after completing op. 109 before beginning work on the second piece in his triptych of late sonatas: the Piano Sonata in A-flat major op. 110. The initial sketches date from summer 1821: the work was completed by the end of the year and appeared in print the following summer – in an edition so riddled with mist…
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| Wohl Dem, Der Sich Auf Seinen Gott (BACH JOHANN SEBASTIAN) Chorale SATB [Partition] Carus Verlag
Kantate Zum 23. Sonntag Nach Trinitatis, Bwv 139, 1724. Par BACH JOHANN SEBASTIAN. Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen” (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same…
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| In principio (PART ARVO) Chœur Mixte [SATB] et Orchestre Universal Edition
Par PART ARVO. 'In principio' takes its words from the Gospel of John 1:1-14 and puts them into a five-movement form. This work, as in all of Pärt's music, is governed by a strict formal design, with the clarity of the musical structure corresponding to that of the Latin text. The first movement (vv. 1-5) and the fifth (v. 14) are limited to two opposing formal elements: a static, syllabically art…
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| Ich Freue Mich In Dir (BACH JOHANN SEBASTIAN) Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2 satb (soli), SATB (chœur), Clavier [Partition] Carus Verlag
Kantate Zum 3. Weihnachtstag. Par BACH JOHANN SEBASTIAN. The cantata 'Ich freue mich in dir' was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in…
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| TABLEAUX D'UNE EXPOSITION/BILDER EINER AUSSTELLUNG Orchestre Symphonique [Partition] Breitkopf and Hartel
Par MOUSSORGSKY MODEST / RAVEL MAURICE (Arr.) . Ravel’s brilliant compositional interpretation of the Pictures at an Exhibition is, to this day, the most famous and independent orchestration of Mussorgsky’s masterpiece. When the French composer turned his attention to his Russian colleague’s piano cycle in 1922, he was at the height of his mastery and Paris was enraptured by Russian music. Notated…
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| Komm, Du Süße Todesstunde (BACH JOHANN SEBASTIAN) Soli (AT), Chor (SATB), Orchester und Basso continuo Carus Verlag
Kantate zum 16. Sonntag nach Trinitatis. Par BACH JOHANN SEBASTIAN. The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang [yearly cantata cycle], 'Evangelisches Andachts-Opffer' [Evangelical Devotional Offering] by the secretary of the Weimar high conistory, Salomon…
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| MEDITATION, AVE MARIA (BACH JOHANN SEBASTIAN / GOUNOD CHARLES) (BACH JOHANN SEBASTIAN / GOUNOD CHARLES) Piano seul [Partition] G. Henle
Par BACH JOHANN SEBASTIAN / GOUNOD CHARLES. The French Bach cult, which began in the early 19th century, reached an initial highpoint around 1850. Charles Gounod, still largely unknown at the time, also studied Bach?s works intensively ? his chorales, motets, and the preludes and fugues of the 48. He is said to have improvised his expressive, cantabile melody over the famous broken chords of Bach?…
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| Eroica Variations Op. 35 (BEETHOVEN LUDWIG VAN) Piano seul G. Henle
Par BEETHOVEN LUDWIG VAN. The Fifteen Variations (with Fugue) op. 35 composed in 1802 are known primarily by their sobriquet “ Eroica Variations ” because the theme is also used in the finale of the Third Symphony. Together with its sister work, opus 34, this composition marks the breakthrough of character variations. Not without pride did the composer stress to his publisher that both works were …
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| Rondo in C major Op. 51 no. 1 (BEETHOVEN LUDWIG VAN) Piano seul G. Henle
Par BEETHOVEN LUDWIG VAN. The two Rondos op. 51 were written independently of one another and only later consolidated into a single opus by Beethoven’s publisher. The first of these works from 1797 quickly became popular on account of how it combines simple, catchy melody with surprising modulations and expressive, dramatic eruptions within a compact form. With its moderate degree of difficulty, t…
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