B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

Passionsoratorium. Par LOEWE CARL. Carl Loewe, who today is known only for his Ballades, left behind an extensive musical opus especially created to meet the rapidly growing needs of the emerging middle class during the Biedermeier period [including 15 oratorios]. In the oratorio Das Sühnopfer des neuen Bundes [The Expiatory Sacrifice of the New Covenant], composed during the middle of the 19th ce…

Passionsoratorium. Par LOEWE CARL. Carl Loewe, who today is known only for his Ballades, left behind an extensive musical opus especially created to meet the rapidly growing needs of the emerging middle class during the Biedermeier period [including 15 oratorios]. In the oratorio Das Sühnopfer des neuen Bundes [The Expiatory Sacrifice of the New Covenant], composed during the middle of the 19th ce…

Passionsoratorium. Par LOEWE CARL. Carl Loewe, who today is known only for his Ballades, left behind an extensive musical opus especially created to meet the rapidly growing needs of the emerging middle class during the Biedermeier period [including 15 oratorios]. In the oratorio Das Sühnopfer des neuen Bundes [The Expiatory Sacrifice of the New Covenant], composed during the middle of the 19th ce…

Passionsoratorium. Par LOEWE CARL. Carl Loewe, who today is known only for his Ballades, left behind an extensive musical opus especially created to meet the rapidly growing needs of the emerging middle class during the Biedermeier period [including 15 oratorios]. In the oratorio Das Sühnopfer des neuen Bundes [The Expiatory Sacrifice of the New Covenant], composed during the middle of the 19th ce…

Par HILLBORG ANDERS. The music of Anders Hillborg’s virtuosic Tampere Raw for clarinet and piano alternates between two vividly different characters: one slowly flowing texture, composed completely intuitively, and one fast, fiercely rhythmical and pulsative texture, where the tone material for the most part is generated from permutations of prime-number series.  A thrilling addition to the reper…

Par FORBES L'ESTRANGE JOANNA (Arr.). Wade in the Water is a lively and infectious spiritual. Its features include a call-and-response texture, jazz ‘scat’ vocalization and finger clicks on beats 2 and 4 of the measure. This arrangement by Joanna Forbes L’Estrange remains true to the spirit of Eva Cassidy’s well-loved version, adapting the instrumental improvisation on the recording to create a fun…

Aktualisierte Ausgabe inkl. Schafe, Monster und Mäuse. Kaum eine andere deutschsprachige Band ist dafuuml - r bekannt, Alltagssituationen so poetisch zu vertonen und mit so unaufgeregt schoumlnen Melodien zu unterlegen wie Element of Crime. Im Oktober 2018 veroumlffentlicht die Band um Sven Regener ihr zehntes Studioalbum 'Schafe, Monster und Maumluse'. Das Album darf natuuml rlich in dem einzigen…

Par SAINT-SAENS CAMILLE. Far from being an isolated work in Camille Saint-Saens’ production, Le Retour de Virginie (Virginia’s Return) belongs to a small set written at the beginning of his career in the particular context of the competition for the Prix de Rome that was established in 1803 then cancelled following the events of May 1968. It had been for more than a century and a half, the most co…

Version Hellmann/Koch. Par BACH JOHANN SEBASTIAN / KOCH JOHANNES H.E.. Reconstruction [based parodies] of Bach's St. Mark Passion by Diethard Hellmann [1964], with new composed recitatives [texts of the evangelium] and turba choirs by Johannes Koch [1999]. The words of Jesus are accompanyed by 2 gambas and organ./ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Par JACKSON GABRIEL. for T. solo, SATB (with divisions), and orchestra This spiritual work draws its evocative texts from diverse sources ranging from a hymn by St Ambrose to contemporary poems by Doris Kareva and Kenneth White. Profound words by Wallace Stevens draw this monumental work to a close, with wind and strings leading us to a final chord resounding with quiet optimism to end this transf…

Version Hellmann/Koch. Par BACH JOHANN SEBASTIAN / KOCH JOHANNES H.E.. Reconstruction [based parodies] of Bach's St. Mark Passion by Diethard Hellmann [1964], with new composed recitatives [texts of the evangelium] and turba choirs by Johannes Koch [1999]. The words of Jesus are accompanyed by 2 gambas and organ./ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,