Par PACHELBEL JOHANN. Magnificat for a Chorus of four mixed voices and Basso continuo Pachelbel's choral works excel in the magnificence and festive splendour of their tonal effect, but at no point do they depart from an easy singable style. Simplicity of harmonic texture and voice leading is a characteristic of Pachelbel's art generally, but it asserts itself especially in these vocal composition…

L'intégrale des Sonates pour piano Edité d'après les sources par Christa Landon, revisé par Ulrich Leisinger Notes on Interpretation, Cadenzas and Embellishments by Rorbert D. Levin. Fingerings by Oswald Jones Urtext Lorsque Christa Landon présenta sa toute première édition des sonates pour piano de Haydn, les sonates du compositeur n'existaient encore que dans l'ombre de celles de Mozart et de B…

Par CHILCOTT BOB / KNIGHT SUSAN. 29 chants pour l'ASS accompagnés et non accompagnés Cette collection contient la voix supérieure des pièces originales et arrangements de partout dans le monde. Dans un grand éventail de styles, il ya la musique ici, pour convenir à tous les adultes ou les jeunes supérieur voix chorales. Le volume comprend des chants de compositeurs populaires et des compositions p…

Fragments K. 442. Par MOZART WOLFGANG AMADEUS. Mozart often began work on a composition only to put it aside, unfinished. Some of these fragments contain wonderful music, as is proved by these three Piano trio fragments. Mozart composed them at different times as individual movements, though the posthumous first edition brought them together as a supposedly new and unknown Piano trio by the compos…

Partitions pour Piano Frédéric Chopin, Etudes Pour Piano Texte original Édité par Ewald Zimmermann Doigté par Hermann Keller Niveau avancé / Henle Verlag

Par TCHAIKOVSKI PIOTR ILITCH. The series 'Get to Know Classical Masterpieces' presents popular compositions in easy piano arrangements by Hans-Günter Heumann, the latest edition in this series being Tchaikovsky's famous ballet opera Swan Lake. The present edition, with explanatory texts and fully coloured illustrations, is aimed at young and adult pianists. The easily playable arrangements and ori…

Par JANACEK LEOS. Leos Janacek, almost seventy years old, characterised the wind sextet he had just finished as 'a kind of memory of youth' in a letter to Kamila Stösslová. The suite Youth was written in the summer of 1924, prompted by the composer's need to take stock on the occasion of his 70th birthday. Janacek also heard the Parisian ensemble Societe moderne des instruments a vent several time…

Par PESSON GERARD. Berlioz n'a pas aimé Rome, ni la villa Médicis, où il était parti à contre-coeur. Il trouvait la ville étouffante et provinciale, la Villa étriquée académique et trop seigneuriale. Il est donc allé chercher ailleurs ce qu'il a appelé son 'Italie sauvage', une Italie de ciels, de vents, de pluies, de ruines ensauvagées, de montagnes, de bourgades à flanc de roches. En romantique …

für Violine und Klavier. Par SCHUMANN CLARA. The Romances op. 22 are today among Clara Schumann’s most popular chamber music works. For violinists and pianists, they’re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces. While working on the composition and publicati…

Par QUARTEL SARAH. Forces or Category: SATB, with piano or drum or unaccompanied 10 songs for mixed voices, with piano or drum, or unaccompanied Wide range of secular texts, including canonical writers like Shakespeare and Emily Dickinson, as well as original words by the composer Mixture of moods and styles, from lively and pop-inspired to serene and reflective/ Répertoire / Choeur Mixte SATB et…

Par HAHN REYNALDO. Reynaldo Hahn 's Songs And Madrigals for three- and four-part choir. The time machine has no secrets for Reynaldo Hahn (1874-1947). After plunging his contemporaries into the delights of Renaissance revelry with the ‘ Bal De Beatrice D'Este', the composer continued to explore the past with a tribute, in 1907, to Rameau (in the final drumroll of the ‘ Sonatine' for Pi…

Par SORENSON HEATHER. Commissioned in honor of those lost during COVID, Heather Sorenson's Requiem was written to bring hope and healing to all who have experienced loss. This work was designed not only to live well in the concert hall, but also to transition into the church sanctuary. You can expect to hear the composer's trademark cinematic moments, soaring choral melodies, and impressionistic c…

'Ingenting utanför / Nothing Beyond? is another collaboration between Mårten Jansson and the Swedish poet Einar Askestad. This a cappella choral work deals with sorrow and loss. After a forceful, harmonically ambiguous section and a clear break in the music, the piece ends with a comforting decrescendo of reconciliation. It was commissioned by the Uppsala female choir 'La Cappella? and is dedicate…