Violin 1 Solo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the cours…

Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1 Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of…

Viola. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during…

Viola. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the…

Flöte Solo. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically d…

Par TELEMANN GEORG PHILIPP. Solo for Flute and Basso continuo in B minor (TWV 41:h4) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through …

Violine 2. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically du…

Violine Solo. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically…

Gerard Bunk was one of the greatest organists of the first half of the twentieth century. He developed his own characteristic style, independent of Reger. His organ compositions can be divided into individual freely-composed works, character pieces, choral introductions and six large-scale concert pieces.Volume V presents Bunk's late organ works, which are comparable in quality to the works of Max…

Violine 1. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically du…

Violin 2 Solo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the cours…

Numerous selections from Schumann's Album for the Young have long been favorites of intermediate students, and few collections fail to include the Soldier's March, the Happy Farmer or the Wild Horseman. This historically informed edition of the entire collection clearly differentiates the markings of the first edition from Clara Schumann's later-edited version. Discussions of ornamentation and the…

Par MAW NICHOLAS. The work's title, Music of Memory , refers to the long-term memory of a golden age (and the corresponding hope that it can continue to nourish our own art) represented by the Mendelssohn - the short-term 'memory' of an original that lies behind the variation form - and the use of the different kinds of memory-related techniques and materials during the work - 'guitar sounds' typi…

for piano. Par LARCHER THOMAS. One could say that it is very natural to write for a “natural” [as opposed to prepared] piano - yes, maybe, but for me this had not been natural for many years. Exploring new things and sounds sometimes also has to do with not wanting to face the status quo, hiding oneself in a so-called future. In many of my earlier pieces I had fled into preparing the piano, wantin…

This second volume of Jazz Guitar Standards contains a collection of 22 Jazz standards each containing a chord melody, a comping etude and a single-note solo. All arrangements are presented in standard notation and tablature for the beginning to intermediate guitarist. Arrangements by Chris Buzzelli, Dave Frackenpohl, Barry Greene, Sid Jacobs, LaRue Nickelson, John C. Purse, Bruce Saunders, Rick S…