Par JOPLIN SCOTT. The Ragtime Dance by Scott Joplin originated as a short ragtime folk ballet, accompanied by narration and choreography. It was first performed in 1899, but because of hesitation concerning the marketability of such a work, it was not published until 1902. As was feared, it was a commercial failure, however this led to a later 1906 publication in a solo piano arrangement. It is th…

Version for accompanied SATB Choir. Par ROTH ALEC. A choral work inspired by the photograph of the same name taken from lunar orbit in 1968, considering the positive and negative sides of the human race's mastery and control of the world. The work was commissioned by the UK choir Ex Cathedra for its 40th anniversary, which fell in the same year (1969) as the 40th anniversary of the Moon landing. I…

Par RODGERS / HAMMERSTEIN. Two gems from Oklahoma! are complemented here by timeless favourites from The King and I , a show which continues to hold a magical appeal for children of all ages. The Faber Young Voices series is devised specifically to address the needs of young or newly-formed choirs looking for easy, yet rewarding new repertoire. / Niveau : Assez Facile / Date parution : 1997-01-1…

Par MARTIN MATTHEW. Written for the choristers of Westminster Abbey, Matthew Martin’s canticles offers upper-voice choirs a welcome alternative to more established settings. The bright, fanfare-like theme of the Magnificat is complemented by an atmospheric Nunc dimittis, with the organ part adding texture and unity to the whole. This innovative work is suitable for Evensongs throughout the year. /…

Capellchor 1. Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (Cello or Organ). My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz 's impressive and musically colourful setting of the Magnifcat from 1665 shows the influen…

A stunning and thoughtful setting of The Lord's Prayer in Afrikaans. The composer captures the mystery of the text in his melody. Contrasts in texture and dynamics hold the singer and listener throughout. A great choice for more advanced choirs. From the Amanda Quist Choral Series. / Choeur Mixte Satb A Cappella

Commissioned by the 2012 ACDA Women's Choir R and S Commissioning Consortium, the entire piece drives toward the last line of the Stacy Gnall poem 'big brother, I am catching up to you.? One long, rhythmic race, this selection will be a wonderful contrast to much of the repertoire often included in women's choral concerts. / Choeur SSAA A Cappella

Par CURNOW JAMES. Explore different settings of the Medieval Latin carol 'In Dulci Jubilo' via this solid arrangement by James Curnow. Opening with an exquisite 'Brass Choir' section a la Michael Praetorius (1571-1621) and progressing through a 'Woodwind Choir' section in the later J. S. Bach style, WITH SWEET JUBILATION is wonderful 'style study' material. The grace of the early masters and the c…

Les oeuvres de ces trois volumes pour huit parties choeur d'hommes sont des paramètres de sonnets de fin écossais poète officiel, Edwin Morgan (1920-2010). Un admirateur de la poésie virtuose de Morgan, Bryars a écrit Silva-Calédonie pour le National Choir Homme estonien en 2006, en ajoutant éventuellement sept autres paramètres, dont deux provenant de son Concerto pour piano. Une grande collectio…

This is a special arrangement for double bass choir of the choral piece Silva Caledonia, written for the Estonian National Male Choir, which sets a text by the Scottish poet Edwin Morgan. It was first performed by them in April 2006. The double bass version was written for the large group of basses, 22 for the first performance, at Basses Loaded, the annual concert from Gary Karr's summer school i…

This is a special arrangement for double bass choir of the choral piece Silva Caledonia, written for the Estonian National Male Choir, which sets a text by the Scottish poet Edwin Morgan. It was first performed by them in April 2006. The double bass version was written for the large group of basses, 22 for the first performance, at Basses Loaded, the annual concert from Gary Karr's summer school i…

This is a special arrangement for double bass choir of the choral piece Silva Caledonia, written for the Estonian National Male Choir, which sets a text by the Scottish poet Edwin Morgan. It was first performed by them in April 2006. The double bass version was written for the large group of basses, 22 for the first performance, at Basses Loaded, the annual concert from Gary Karr's summer school i…

This is a special arrangement for double bass choir of the choral piece Silva Caledonia, written for the Estonian National Male Choir, which sets a text by the Scottish poet Edwin Morgan. It was first performed by them in April 2006. The double bass version was written for the large group of basses, 22 for the first performance, at Basses Loaded, the annual concert from Gary Karr's summer school i…