tomo III. Par GABRIELI ANDREA. The Concerti di Andrea, et di Gio: Gabrieli [. . . ] continenti musica di chiesa, madrigali, et altro, per voci, et stromenti musicali, à 6. 7. 8. 10. 12. et 16 were published posthumously in Venice in 1587. Vol. III of this four-volume critical edition includes fourteen 6-, 7- and 8-part madrigals. Undoubtedly, these materials were largely conceived for use on speci…

Par RUTTER JOHN. for SATB and organ This superb Latin mass setting for choir and organ demonstrates the composer's strong melodic sense and innate feeling for the sound of choral worship. The atmospheric Kyrie leads to a Gloria that contrasts vibrantly rhythmic passages with smoother, expressive sections. The mysterious harmonies of the Sanctus pave the way for a tender Benedictus, and the Agnus D…

Straight out of the hip and swinging 1960s, here's a sparkling setting of the favorite holiday tune for choirs in four parts! First featured on The Andy Williams Christmas Album, and recorded by a myriad of artists since then, it's a real show-stopper! / Choeur TTBB

Straight out of the hip and swinging 1960s, here's a sparkling setting of the favorite holiday tune for choirs in four parts! First featured on The Andy Williams Christmas Album, and recorded by a myriad of artists since then, it's a real show-stopper! / Choeur Mixte (SATB)

A huge hit for Adele in 2011, Someone Like You has here been expertly arranged by Chris Hussey for choirs seeking a powerful centrepiece to their repertoire. Full of gripping emotion and resolve, this dignified tale of romantic reflection won Adele the 2012 Grammy for Best Pop Solo Performance and now choirs too can reap the rewards of this show stopping signature tune. Arranged here for SATB with…

As the name suggests, the 'Missa Popularis? has its musical roots in folk music.This becomes clear in the very first bars of the Kyrie, where the violin plays amelody in the style of a Swedish folk tune above a bass ostinato. The musical charm of the Mass derives from the combination of choir [SSA(TB)] and string quartet.The choral parts enable performances by female choir or mixed choir. In the l…

Par BEDNALL DAVID. Composed for Matthew Redman and Colston's Girls' School Chamber Choir, this is a gentle and expressive setting of Salvator Mundi, ideal for upper-voice church choirs and cathedral choirs. The text is particularly associated with lent and its implorations for mercy lend it a solemn and penitential atmosphere. The dark key of Bb minor reflects this mood, and the long-drawn, expres…

Ed. Marte. Par VIVALDI ANTONIO. Vivaldi's classic work, arranged for Solo Voices, mixed chorus and orchestra. Edited by Mason Martens. Lost soon after the composer's death, little if anything was known of this spectacular choral setting until it's rediscovery in 1920, with the first modern performance finally happening in the autumn of 1939. Since then the work has become a proven favourite with c…

Par VAN BELCUM HENK. As the title suggests, this work is a partita: it consists of a number of variations on a chorale melody. The partita has been popular for centuries, especially when it comes to organ music. Henk van Belcum, who is active in the choir world, chose for his Partita Piccola the German hymn Wunderbarer König as a starting point. Partita Piccola consists of four variations and a ch…

Par WALTERS EDMUND. Three playful Christmas songs originally written for the Duncombe Road School Choir of Liverpool in 1977. The three carols are suitable for children's voices and a delightfully unusual selection that will add sparkle to your Yuletide concerts./ Recueil / Choeur d'Enfants et Piano

Par RIZZA MARGARET. A Setting For Choir And Instruments/ Recueil / Chœur Mixte et Piano

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Par DANGERFIELD FYFE. She's Always A Woman (Billy Joel), first released as a double A-side from Billy Joel's 1977 album The Stranger and recorded by Fyfe Dangerfield in 2010, here arranged for upper voices with piano accompaniment. This arrangement is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto,…