Par DUFFY. Mercy (Duffy) arranged for upper voices with piano accompaniment. This arrangement is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto, with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for the amateur pianist. Also incl…

Choral arrangements of well-loved songs for upper voices, as written for the Military Wives choir and recorded on their best-selling album: In My Dreams , with new music by Paul Mealor. / Ssa Et Piano

Par PART ARVO. Arvo Pärt's De profundis for male choir TTBB, Percussion ad lib. and Organ. Pärt sets to music one of the most famous and most frequently composed psalms ( psalm 130 ) in his very own tintinnabuli-style./ Répertoire / Choeurs TTBB, Percussions Ad Libitum et Orgue

New settings of the two evening canticles which incorporate jazz elements, including harmony in voice parts and organ and many 'blue' notes. Despite these jazz elements, the music is very approachable, with natural syncopation and mostly homophonic writing. It is also available for mixed choir (ISMN 979-0-060-13011-3). Either version would be enjoyable and rewarding additions to a church choir's m…

SATB or SAB and op. Orchestra. Par . Every Christmas, we celebrate the birth of a Child. With this breathtaking work, legendary composer Mary McDonald invites us to truly remember what is at the heart of Christmas: this Child, this King, this Savior who was sent to earth to redeem the world. THIS is Christmas. In this cantata, Mary tells the story of Christmas through familiar carols, inspired ori…

Par PAGANINI NICCOLO. A major choral work by one of UE’s contemporary stars. The Mass was commissioned by the Westminster Cathedral Choir in celebration of the 75th birthday of Cardinal Basil Hume. Recorded by the Choir on both Teldec and Warner Classics labels. (Choral scores and instrumental parts are also available for sale. )/ Répertoire / Violon et Piano

The 'Missa Divi Xaverii? ZWV 12, an expansive and unusually richly scored work, marks a highlight in the oeuvre of Jan Dismas Zelenka (1679-1745). It was composed in 1729 while he was working at the Dresden court.The principal source of this first edition is the damaged autograph score which had long been kept under lock and key. Passages missing because of its damaged condition have been suppleme…

When Beethoven visited the director of music at the cathedral in Linz, Franz Xaver Glöggl, in autumn 1812, the latter asked his guest to 'compose socalled Equali for 4 trombones for All Souls' Day [2 November]?. Beethoven readily complied - and it was to be his own funeral music. For in 1827 the Equali were sung in an arrangement for male choir as a 'dirge for Beethoven's funeral procession?. The …

O Take My Hand, Dear Father. Par SILCHER FRIEDRICH. This celebrated song is based on a poem by Julie Hausmann (1826-1901), a Latvian teacher who was probably blind. The text draws on her personal experience and unshakeable faith in God, death and eternal life. The melody by Friedrich Silcher is written in a simple and delicate style but also draws on the grand romantic tradition of Wagner and Bruc…

The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV ar…

The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV ar…

The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV ar…

The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV ar…

The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV ar…