for Male Voice Choir and Concert Band. Par SPARKE PHILIP. Dans cette œuvre pour chœur masculin et piano, Philip Sparke rend bien le caractère du poème La dernière fleur de l’automne, d’Edith Södergran (1892-1923), une poétesse finlandaise d’expression suédoise. Cette composition solennelle reflète la nature idyllique et romantique du poème, qui peut être vu comme une allégorie de l’existenc…

Par KLOSS BERTHOLD. Mozart’s “Adagio”, Bach’s “Bourrée” and “Solveig’s Song” by Grieg are amongst this selection of popular pieces set for flute and guitar. The flute plays the melody, and the guitar’s notated chordal accompaniment provides harmonic and rhythmical structure while remaining light and subtle. From the contents “Bourrée” (BWV 966) (J. S. Bach), “Les coucous bénévoles” (F. Couperin), …

The King's Singers The Library vol. 3. Par FLEETWOOD MAC. This two-choir arrangement of the Fleetwood Mac hit was created for the large-scale cover featuring the six members of the King's Singers and several thousand members of the ?Stay At Home Choir.? Along with a beautiful and complete arrangement for the King's Singers, there is a full choir along with an Ossia treble part for a mixed ensemble…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

/ Choeur A L'Unisson Et Orgue

With its sumptuous, layered harmonies, this beautiful choral arrangement of White Christmas is the ideal piece for choruses seeking an impressive centrepiece for their festive programme. Arranged for SSA choir with Piano accompaniment by Christopher Hussey, you can add some luxurious, jazz inspired splendour to your seasonal repertoire this Christmas. / Choeur SSA Et Piano

With its sumptuous, layered harmonies this beautiful choral arrangement of White Christmas is the ideal piece for choruses seeking an impressive centrepiece for their festive programme. Arranged by Christopher Hussey for SATB choir with piano accompaniment, add some luxurious, jazz inspired splendour to your seasonal repertoire this Christmas! / Choeur SATB Et Piano

Cette méthode réunit avec talent et originalité tout ce dont un batteur a besoin de travailler pour pouvoir s'exprimer sur l'instrument.Une belle et intéressante approche qui vous aidera à développer votre musicalité. Bon travail à tous!Gilles ChoirThe wonderful approach that my friend Eddy has compiled in this drum book will take you on a journey of modern rock drumming, apply the groove and enjo…

Blue Moon , written by Richard Rodgers and Lorenz Hart in 1934, has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s, Elvis Presley put it on his first album in 1956 and The Marcels had a doo-wop hit with it in 1961, but 'An American Werewolf in London' was the first movie to associate this most romantic of songs with lycanthropy. This brand new arrangement by…

Blue Moon , written by Richard Rodgers and Lorenz Hart in 1934, has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s, Elvis Presley put it on his first album in 1956 and The Marcels had a doo-wop hit with it in 1961, but 'An American Werewolf in London' was the first movie to associate this most romantic of songs with lycanthropy. This brand new arrangement by…

'I sing because...' is the third and final movement of the choral suite Todd's 'Songs of Love', which was commissioned by Elena Sharkova for the Symphony Silicon Valley Chorale in 2012. The haunting and yearning text about love and loss is written by the American poet, Nils Peterson after a Greek poem by Maria Polydouri. With an aching melody which starts on upper voices and gradually builds to th…

Par MIRANDA LIN-MANUEL. With irresistible hip-hop rhythms, solo opportunities and catchy chorus, My Shot is the perfect way to open or close a concert with a bang and showcase your choir’s talent. This popular song from the hit Broadway musical Hamilton is arranged for SSA with piano accompaniment. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted …