Arrangement: Latham Robert. Par LATHAM ROBERT. 'Yesterday' and other Classic Pop Ballads is an absolute winner! Robert Latham's deft, skilful arrangements of some of the best-loved pop ballads of all time form an immensely rewarding collection for choirs in search of fresh 'a cappella' material.Includes: Yesterday , Streets of London , The Windmills of Your Mind , The Sound of Silence and Killing …

This book contains dazzling new Choral versions of five chart-topping pop songs. The arrangements are by Vocal coach and Choral director Mark De-Lisser and are recorded by ACM Gospel Choir. These crowd-pleasing songs have been selected for their positive lyrics and overall heart-warming feel, making them a joy to sing and listen to. Arranged for SAT Choir with the occasional solo part, this pack i…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par ARCHER. Une ressource unique accessible et complet pour une utilisation dans les services de l'église et concerts à travers l'année liturgique. 50 Le volume de pièces SATB, tous deux accompagnés et non accompagnés, sont appropriés pour les chorales de toutes tailles et capacités. Fournit un excellent choix de pièces pour les principales fêtes nouveaux champions, accessible, et injustement négl…