One of the most anticipated experiences of the holiday season each year is listening to the sounds of bells, the quintessential instrument of Christmas celebrations. Including - 'I Saw Three Ships,' 'Ding! Dong! Merrily on High', 'I Heard the Bells on Christmas Day,' and 'Ukrainian Bell Carol,' the bells are all around us in December, ringing from church towers, in shopping malls, and on street co…

Will Todd, born in 1970, is forging a strong reputation for himself as a composer who is equally at ease in opera, oratorio, church music and jazz. His style is instantly accessible and lastingly memorable. He spent his formative years steeped in both jazz and the English choral tradition so in his choral music he is able to juxtapose strong rhythmic drive and rich harmonies with exquisitely lyric…

Par BEST WILLIAM. A prolific editor and arranger for the organ, Best also composed church music, carols, glees, piano music, orchestral pieces as well as works for the organ. Major works for the 'King of Instruments' include 'Four Concert Fantasias' of which 'Fantasia on a Welsh March' is number two in the set. Based on the Welsh tune 'Men of Harlech', it subjects the march to virtuosic treatment …

Arr. James Curnow. Par BACCHUS DYKES JOHN. The music for the beloved hymn Holy, Holy, Holy (also known as Nicaea) was composed by the English composer John Bacchus Dyke in 1861 and was first published that year in the book Hymns Ancient and Modern. The beautiful melody is not only suitable for use in church services but also makes an ideal reflective concert work. / Niveau : 3 / Musique pour cél…

Organ. Par CURNOW JAMES. Due to careful cueing and skillful arranging, your band can play the Finale from the renowned “Organ Symphony” even if you don’t have a pipe organ or an organist available. The big, powerful sound of this Saint-Saens classic has been faithfully transcribed by James Curnow for your band. What a superb closer for your concert! Imagine the possibilities if you will be perform…

Par CORP RONALD. Both as composer and conductor, Ronald Corp is steeped in the English choral tradition, and in A Spotless Rose he has traversed by his own path the hallowed ground of words immortalised by Herbert Howells. Corp’s own music, chordal yet contrapuntal, and likewise redolent in its modality of a distant past ‘of ancient seers’ foreshowing’, flows smoothly in flexible rhythm, each voic…

Par WILLIAMS RODERICK. A 5-minute uplifting piece for SATB and piano that uses the ancient latin hymn of praise to the Virgin Mary. The verses alternate between full choir and solo or duet passages, accompanied by lush, romantic harmonies. Composed for senior school choir but would suit church choirs around the world./ Répertoire / Choeur SATB et Piano

Par NORMAN HEIM. This collection of Baroque music is arranged for the intermediate-level clarinetist with the piano part being of equal difficulty. The music is taken from keyboard, song and chamber music sources and represents quality Baroque styles circa 1625 - 1775. Composers include Johann S. Bach, Jean P. Rameau, Alessandro Scarlatti, G. F. Handel, Domenic Scarlatti, Antonio Vivaldi, C. P. E.…

Pierre Boulez wrote two pieces for solo violin, called ?Anthèmes? I and II. This is the first and shorter of the pair and was composed in 1991 for the Yehudi Menuhin Violin Competition. Taking inspiration from childhood memories of Catholic church services, Boulez created a piece of two distinct sonic worlds, in seven short parts, ending with a ?col legno battuto?, characteristic of Boulez?s witty…

300 chants sacrés en faux livre format, ligne de mélodie avec des paroles et des symboles de la corde. / Piano/Vocal/Guitare (PVG)

Arr. Philip Sparke. Par JOHN GAUNTLETT HENRY. Sparkling woodwind and majestic brass playing introduce this wonderful arrangement of the classic carol! Each of the four verses are treated differently, creating beautiful textures and a multi-faceted setting of the familiar tune. This fresh new arrangement for developing bands is a great choice for both church and school! / Niveau : 3 / Hymnes et c…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…