Organ. Par CURNOW JAMES. Due to careful cueing and skillful arranging, your band can play the Finale from the renowned “Organ Symphony” even if you don’t have a pipe organ or an organist available. The big, powerful sound of this Saint-Saens classic has been faithfully transcribed by James Curnow for your band. What a superb closer for your concert! Imagine the possibilities if you will be perform…

Arr. James Curnow. Par BACCHUS DYKES JOHN. The music for the beloved hymn Holy, Holy, Holy (also known as Nicaea) was composed by the English composer John Bacchus Dyke in 1861 and was first published that year in the book Hymns Ancient and Modern. The beautiful melody is not only suitable for use in church services but also makes an ideal reflective concert work. / Niveau : 3 / Musique pour cél…

Recueil de partitions Œuvres originales et arrangements pour le culte et concert Comprend les parties solistes pour les accords So, Si bémol, Mi bémol et Fa ainsi que la partie d'orgue Sous la direction de Carsten Klomp Niveau de difficulté : facile à intermédiaire Partition standard ISMN : 9790006540723, éditeur n° BA 8507 Format DIN A4 114 pages / Bärenreiter

Par BULLA STEPHEN. A beautiful offertory style addition to the Curnow Music Press 'Praise and Adoration Series', SHIPSTON PRELUDE belongs on your stands this year. This endearing traditional English melody, originally collected and harmonized by Ralph Vaughan Williams, is now included in many of today's hymnals. An uplifting performance piece for school or church groups, the skillfully crafted arr…

Par BOULEZ PIERRE. Pierre Boulez wrote two pieces for solo violin, called “Anthèmes” I and II. This is the first and shorter of the pair and was composed in 1991 for the Yehudi Menuhin Violin Competition. Taking inspiration from childhood memories of Catholic church services, Boulez created a piece of two distinct sonic worlds, in seven short parts, ending with a “col legno battuto”, characteristi…

Par CURNOW PAUL. A Scottish Hymn is a chorale arrangement of a hymn composed by Charles Hutcheson, a Scottish merchant and amateur composer who lived from 1792 to 1860. This hymn was given the title “Stracathro, ” a typical Scottish name after a town in the district Angus. The melody is used with various hymn texts in the Scottish church. / Niveau : 3 / Répertoire / Concert Band ou Harmonie

Arr. Philip Sparke. Par JOHN GAUNTLETT HENRY. Sparkling woodwind and majestic brass playing introduce this wonderful arrangement of the classic carol! Each of the four verses are treated differently, creating beautiful textures and a multi-faceted setting of the familiar tune. This fresh new arrangement for developing bands is a great choice for both church and school! / Niveau : 3 / Hymnes et c…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Arr. Philip Sparke. Par JOHN GAUNTLETT HENRY. Sparkling and majestic brass playing introduce this wonderful arrangement of the classic carol! Each of the four verses are treated differently, creating beautiful textures and a multi-faceted setting of the familiar tune. This fresh new arrangement for developing bands is a great choice for both church and school! / Niveau : 3 / Hymnes et chorals /…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…