Par CURNOW PAUL. The musical heritage of the United States is rich with folk songs from across the country. We can understand a great deal about society, culture and traditions through these folk songs. The folk tune used in this work has had many lives, from early church singing to pub songs to a marching song. / Niveau : 1.5 / Marche / Répertoire / Concert Band ou Harmonie

103 Sätze für den Gottesdienst, 1–8stg gemischter Chor, teils mit Orgel. Chorbuch Ostern is the second sequel to the Freiburger Chorbuch. It has been described as “a real storehouse of good choral music for the Easter liturgy and for the 50-day period between Easter and Pentecost … stylistically varied, these 103 pieces offer a rich treasure for both large and small church choirs . . . ”/ Répertoi…

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Organ, 2-staff. Par SMITH LANI. Lani Smith was one of the most beloved composers in Lorenz’s history, and his music continues to be a favorite of church organists throughout the country. This collection (following up on Vol. 1, 70/2430L) contains eight additional previously unpublished works that were discovered after his passing in 2015. These pieces, drawn from the contemplative and reflective s…

Par BACH JOHANN SEBASTIAN. All of Bach ’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition, reserving his own motet compositions …

Par ARTHUR GEORGE. I Sing of a Maiden is a Middle English lyric Poem in whose setting George Arthur creates a great spatial and harmonic effect. With Susanni, Arthur has written a cheerful and spritely setting of this old German song that begins with a trumpet-like fanfare. Balulalow is a very gentle and tranquil setting in which the text is shared among all four parts, all of which are at some po…

3 Chorale Settings - Fantasia. Par STEFFENS JOHANN. Johann Steffens was municipal organist at St Johannis church in Lüneburg and one of the founding fathers of the North German Organ school. This volume contains three chorale arrangements (including a cycle based on “Veni redemptor” / Nun komm der Heiden Heiland) and a “Fantasia”, one of the few free compositions for organ of that period to show e…

Preludes for Piano: Complete Collection, contains 20 intermediate to late intermediate piano solos that explore and develop lyrical playing. The pieces are appropriate for church services, wedding ceremonies, receptions, and other events where expressive and moving music is needed. / Piano

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …