for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he …

Par TAUZIN BRUNO. Cet ouvrage recense précisément 100 riffs de basse. Mais pas n'importe quels riffs... des riffs dans l'esprit des plus grands tubes de la musique moderne, ces morceaux qui ont traversé les décennies, qui font partie de la culture 'bassistique', qu'il faut absolument connaître et savoir jouer. Chacun des 100 riffs de basse présentés dans ces pages est agrémenté d'une explication p…

The French titles and tempo markings in this four-movement, twenty-minute-long trio point to the composer's particular affinity to French culture. The 'Prélude? is followed by an impressive 'Invocation?, an homage to Schlee's highly regarded former teacher Olivier Messiaen in commemoration of the 100th anniversary of his birth. This movement, composed somewhat earlier than the others, was the depa…

Par RAFF JOACHIM. When his musical triad op. 192 was created in the winter of 1873/74, Raff was one of Germany’s most successful composers and the central artistic authority in the Hessian spa, royal residence and imperial city of Wiesbaden. With op. 192, Raff cultivated his reputation as an erudite composer who was a master of contrapuntal forms. By the time the string quartets were composed, he …

Geistliches Repertoire. Par . With his Hebrew Choral Songbook, Ohad Stolarz presents a new collection of classics of the musical repertoire in Hebrew, arranged by him for mixed choir a cappella. Many of these pieces are published in Germany for the first time; almost all of them are first published as choral arrangements. The first volume contains ten sacred and paraliturgical songs that may be su…

comprehensive band method. (Essential Elements for Band and Essential Elements Interactive are fully compatible with Essential Elements 2000) Essential Elements for Band offers beginning students sound pedagogy and engaging music, all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises, created and arranged…

Par FARKAS FERENC. The musical material for these pieces was taken from the 17th century Kulcsar Melodiarium (Sarospatak, 1770), Novak Melodiarium (Sarospatak) and Patak Melodiarium (1798). Both the Latin and the Hungarian versions of these short character pieces were set to music. The cycle provides a good picture of the lives of the maturing students.The tunes reflect the many bonds that tied 18…

Jurgen Seifert (Auteur) - 17 septembre 2015. Il y a presque soixante ans, le 19 mars 1955, le film Blackboard Jungle sortait dans les salles de cinéma américaines, dans le générique duquel se cachait la chanson Rock around the Clock qui ébranla la société aux moeurs respectables jusque dans ses fondements. Le Rock'n'Roll d'Elvis, Chuck Berry et Little Richard annonça un vent nouveau de désobéissan…

Par ROZYCKI LUDOMIR. The publication contains a cycle of four piano pieces. These miniatures are a manifestation of Rózycki's non-musical discoveries (mainly visual and literary ones) and his fascination with Italian culture. The publication is addressed rather to professional musicians. / Date parution : 2023-10-31/ Répertoire / Piano

/ Chant Et Accords Guitare

It's a hands-on, active-learning approach to rhythm! Eighteen familiar songs for holidays throughout the year are presented with notated rhythm patterns and kinesthetic stick routines: tap them on your knees, click them together, cross with a neighbor, and more! The simple rhythms can be learned by rote or read off the reproducible student pages. Plus, concise background information makes it easy …

Par ROSEN CHARLES. Plaisir à la fois intellectuel et physique, la musique se trouve aux confins du sens et du non-sens. Pour comprendre la musique occidentale, il est impossible de se passer de l’analyse et de l’histoire sociale et culturelle d’une œuvre ou d’un style. Il est évident que Beethoven a transformé notre façon d’écouter Mozart. Même une esthétique qui proclame l’autonomie des œuvres d…