Par HIGGINS GAVIN. Der Aufstand (German for 'riot') is not a descriptive work, nor is it solely based on the riots of 2011. It does, however, draw on the idea of opposing forces and escalating anger. The work falls into two contrasting sections that are linked by a series of repeated, 'screaming' chords. A slow build drives the first section from a single pitch to a blazing orchestral tutti. The s…

25 tubes de rock : Bang a Gong (Get It On) · Can't Fight This Feeling · Carry on Wayward Son · Cold As Ice · Come on Eileen · Come Together · Crocodile Rock · Down on the Corner · Every Little Thing She Does Is Magic · Free Fallin' · Hurts So Good · The Joker · Livin' on a Prayer · Maggie May · Mr. Roboto · Money for Nothing · One More Night · Peace of Mind · Reeling in the Years · Smoke on the Wa…

26 tubes de rock : Bang a Gong (Get It On) · Can't Fight This Feeling · Carry on Wayward Son · Cold As Ice · Come on Eileen · Come Together · Crocodile Rock · Down on the Corner · Every Little Thing She Does Is Magic · Free Fallin' · Hurts So Good · The Joker · Livin' on a Prayer · Maggie May · Mr. Roboto · Money for Nothing · One More Night · Peace of Mind · Reeling in the Years · Smoke on the Wa…

Arr. Douglas Yeo. Par RUTTER JOHN. John Rutter, master of melody, is now available for your brass band. This beautiful carol tells the story of Christmas night and breathes the atmosphere of this joyous time. This arrangement does great justice to the original. / Niveau : 3 / Musique pour célébration / Date parution : 1905-07-01/ Répertoire / Brass Band

Par BENJAMIN GEORGE. 'Benjamin augurs well to become the most important British composer of his generation. An Antara is a Peruvian panpipe. Benjamin's 1987 work synthesizes its sound via computer and adds trombones, flutes, percussion and strings for a 20-minute essay that dazzles as much for its textures (from lush strings to the wham of an orchestral anvil) as it does for its alert rhythmic sch…

A Practical Sight-Singing Course. Par EILERS JOYCE / EMILY CROCKER. Don't read notes, read patterns of sound! This unique sight reading course for treble voices in elementary and early middle school does just that! PATTERNS OF SOUND uses excellent voice leading, careful sequencing and musicallyinteresting exercises that can be combined to strengthen part singing, pitch relationships and to develop…

Par WEILL KURT. Trois Chansons by Kurt Weill is a set of three French songs for Voice and Piano. The lyrics have been written by Maurice Magre and Roger Fernay and the general level of difficulty is medium. The first piece, Complainte de la Seine (Complains of the Seine), is three page long and its lyrics are about what lies at the bottom of the river. The second song, Je ne t'aime pas (I don't lo…

Flamenco for Band. Par SPARKE PHILIP. Flamenco is a style of music, usually played on the guitar to accompany dancing and singing, that has its home in Andalusia in southern Spain. It has its roots in the years of Moorish rule of the region (711-1492) although the modern flamenco style dates only from the 18th century. La Caracola (which is the Spanish name for the triton sea shell) is an annual f…

Par BULLA STEPHEN. Blues to the MAX! With lots of drive and down home blues harmonies, KENNESAW MOUNTAIN BLUES will latch on to your audience for keeps. Very accessible to Grade 2 1/2 bands, this is one of the most enjoyable pieces you’ll find for any level of ability. If you have a kickin’ drumset player, so much the better. Every section has gratifying parts to play, and the easy mixed-meter sec…

Dirge and Hymeneal was composed in 1915, shortly before the composition of Saturn from The Planets whose music it anticipates. It was performed for the first time at the 1986 Cheltenham Festival. Scored for SSA and piano set to text by Thomas Lovell Beddoes. / Voix

Par BARTOK BELA. To make myself clear: This is not 'programme music', it does not require an explanation attached to it; it speaks for itself. What it wishes to say it does by means of pure music. But it does say something, more in fact than the simple music-making we have become accustomed to since the decline of chamber music.' (Zoltán Kodály)/ Répertoire / Quatuor à Cordes