A must-have for any bass player! This outstanding 200-song collection features note-for-note bass transcriptions with tab, straight from the original recordings. All styles of music are represented in this massive, 1024-page compilation. Includes: All Apologies · All Shook Up · Another One Bites the Dust · Are You Gonna Go My Way · Baby Love · Bad Medicine · Badge · Barracuda · Beast of Burden · B…

C Instruments Book with Online Audio Tracks. Les célèbres Real Books ont maintenant été mis à jour et incluent des pistes d'accompagnement de 240 titres accessibles en ligne, à télécharger ou à lire en streaming. Les Real Books sont depuis toujours les recueils de jazz les plus vendus ! Les accompagnements sont accessibles en ligne à l'aide du code unique fourni avec le recueil et peuvent être t…

A special selection of ten jazz standards, from the all time favourite Stormy Weather to the Gershwin classic Summertime . The music book contains Piano and Voice arrangements with lyrics and guitar chords. The accompanying CD features full backing tracks for use in rehearsal or at auditions. Get set to impress with this collection of Jazzy favourites that are guaranteed to thrill the audience, an…

Par CHARUPAKORN JOE. Explore the classic songs and improvisations of jazz\'s greatest guitarists! This book/CD pack covers 10 songs including: Flying Home (Charlie Christian) · Impressions (Pat Martino) · In a Mellow Tone (Joe Pass) · Lover Man (Oh, Where Can You Be') (Django Reinhardt) · Speak Low (Grant Green) · The Way You Look Tonight (Wes Montgomery) · and more. / Date parution : 2022-12-08/ …

Versuch eines Requiems. Par HARTMANN KARL AMADEUS. Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in his native Germany. He had to wait more than ten years for its first performance, which finally took place in Frankfurt in the spring of 1948 under t…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…