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73 partitions trouvées en s
Monologe (ZIMMERMANN BERND ALOIS)
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Monologe (ZIMMERMANN BERND ALOIS)
2 Pianos, 4 mains
Schott
2 Exemplare zur Auffuhrung notig. Par ZIMMERMANN BERND ALOIS. In January 1964 Bernd Alois Zimmermann interrupted the completion of his opera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe resulting therefrom takes up the original material but develops it towards a different direction: Zimmermann‘s collage technique based on quotations extends…
50.90 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
Duo Concertante (JALBERT PIERRE)
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Duo Concertante (JALBERT PIERRE)
Alto et Contrebasse [Conducteur]
Schott
Par JALBERT PIERRE. Duo Concertante contains five brief movements of contrasting character. The first movement functions as a short prelude, with the viola and bass combining to form alternating high and low harmonies and trading off solo lines. The second movement is a playful scherzo, played pizzicato by both instruments, while the third movement is the central, lyrical movement of the work, wit…

48.40 EUR - Expédié par LMI-partitions
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Sinfonia N. 6 (HENZE HANS WERNER)
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Sinfonia N. 6 (HENZE HANS WERNER)
2 Orchestres [Conducteur d'étude / Miniature]
Schott
New Version 1994. Par HENZE HANS WERNER. Symphony No. 6 was created in the late 1960s, and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atmosphere of awakening during those years but also my efforts to include in the composition the large number of new human and artistic stimuli that I experienced…
60.50 EUR - Expédié par LMI-partitions
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 Goehr Alexander - Endsong Op.61 - Viola And Piano
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Goehr Alexander - Endsong Op.61 - Viola And Piano
Alto, Piano
Schott
Six PiecesKlavierauszug mit Solostimme - VA/KL - viola and orchestracomposer: Goehr, AlexanderÉditeur: Schott Music Ltd., Londonpages: 122A suite of six pieces, rather than a concerto, Schlussgesang - endsong in English - was sketched in a few weeks in Jerusalem in 1993, interrupted for the composition of Arianna and then taken up again and completed in 1996.Schlussgesang is written for a medium-s…
16.40 EUR - Expédié par Woodbrass
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Die Alte Weise Sehnsuchtsbang Op. 70 (HEUCKE STEFAN)
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Die Alte Weise Sehnsuchtsbang Op. 70 (HEUCKE STEFAN)
2 Pianos, 4 mains
Schott
In 2012, I composed a set of variations (originally for orchestra and subsequently arranged for two pianos in 2013 ) based on one of Wagner's most inspired and haunting melodies, the 'alte Hirtenweise' [old shepherd's song], an extended cor anglais solo at the start of Act III of Tristan and Isolde. This seemingly simple, yet deceptively complex melody was my starting point for an expansive fantas…
38.80 EUR - Expédié par LMI-partitions
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Solo XV (AHO KALEVI)
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Solo XV (AHO KALEVI)
Marimba [Partition]
Fennica Gehrman
Par AHO KALEVI. Kalevi Aho's Solo XV for marimba and three triangles (2018) proceeds to a motor-like beat in music dominated by semiquavers momentarily interrupted by eight short triangle entries. The triangle parts gradually get longer towards the end, and during them the soloist has a chance to change the marimba sticks from soft to hard and back. The triangles also create an ethereal, lingering…
16.90 EUR - Expédié par LMI-partitions
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Sinfonie (RICCI FRANCESCO PASQUALE)
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Sinfonie (RICCI FRANCESCO PASQUALE)
2 Violons, Alto, Hautbois, Cor et Basse Continue
Ricordi
Ed. Critica A Cura Di Matteo Giuggioli. Par RICCI FRANCESCO PASQUALE. Francesco Pasquale Ricci straddled two worlds: Italy, his homeland, where he received his education and where he had his first professional experiences, and Europe, which would be the stage of his bold artistic affirmation and the consolidation of a vast and complex network of personal relationships. Ricci’s European excursion, …

42.29 EUR - Expédié par LMI-partitions
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An Evening Hymn (MOORE PHILIP)
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An Evening Hymn (MOORE PHILIP)
Chorale SATB
SATB, Orgue
Stainer and Bell
Par MOORE PHILIP. This setting of Videntes Stellam aims to explore the extremes of emotion surrounding the revelation of Christ. The piece begins by depicting the vision of the star and the journey of the Kings, utilising a bright harmonic language in the Organ and emphatic, cascading outbursts of praise from the Choir, periodically interrupted by more reflective iterations of the text. Following …
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STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA)
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STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA)
Quatuor à cordes: 2 violons, alto, violoncelle [Partition]
G. Henle
Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of th…
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STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA)
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STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA)
Quatuor à cordes: 2 violons, alto, violoncelle [Partition]
G. Henle
Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of th…
16.30 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock
Fantaisie Op. 11, Fantasiestucke Op. 46 d (ROZYCKI LUDOMIR)
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Fantaisie Op. 11, Fantasiestucke Op. 46 d (ROZYCKI LUDOMIR)
Piano seul [Partition]
PWM (Polskie Wydawnictwo Muzyczne)
Par ROZYCKI LUDOMIR. This volume contains piano pieces by Ludomir Rózycki, which refer to the fantasy genre. Fantaisie (Fantasia) op. 11 is a youthful piece in which the individual creative language of the Young Poland composer resounds. The dark, mystical mood of the composition is interrupted by an almost tender cantilena theme. Fantaisiestücke (Fantastic Pieces) op. 46 come from a later period …
22.10 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
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Refine (MUHLY NICO)
Piano Facile [Partition]
St Rose Music Publishing
Par MUHLY NICO. A short variation on the “America the Beautiful” tune takes the original and does two processes to it: the first is a kind of shattering, where the melody is buried inside fast filigree. These are interrupted by two kinds of slow material: ecstatic chords, widely spaced and in a jagged, unstable rhythm, and a kind of rocking-song, in which the original tune is hidden in a repetitiv…

10.60 EUR - Expédié par LMI-partitions
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Cadenza (ADES THOMAS)
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Cadenza (ADES THOMAS)
Violon
Schott
to the violin concerto by Gyorgy Ligeti. Par ADES THOMAS. In a conversation with the violinist Peter Herresthal, we touched on the “invitation” in the score of Ligeti’s Violin concerto to provide a cadenza for the work. Peter suggested that I answer this invitation and I was happy to accept. I followed all the composer’s directions exactly: the cadenza may use material from all five movements, and…
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Majestic Prelude (DE HAAN JACOB)
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Majestic Prelude (DE HAAN JACOB)
Ensemble de cuivres [Conducteur et Parties séparées]
De Haske Publications
Par DE HAAN JACOB. A composition of much contrast based on a well-known psalm melody. As its title announces, it starts with a majestic introduction in which parts of the psalm melody can be heard. Next we hear the complete psalm melody in the trombones, interrupted by passages full of dance in the discant. This is continued in a lively Allegro Molto, in which the psalm melody emerges in the trump…

78.70 EUR - Expédié par LMI-partitions
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Ombres portées (D'ADAMO DANIEL)
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Ombres portées (D'ADAMO DANIEL)
Contre Basse [Partition]
Chant du Monde
Par D'ADAMO DANIEL. “Ombres portées” was commissioned by Radio France for the radio program Alla Breve. The piece is dedicated to Florentin Ginot. Performed without interruption, each of the five pieces of this cycle highlights certain characteristics and specific resources of the double bass, as are the natural harmonic sounds, the instrumental spectrum, the bowing techniques or those of the left…
28.00 EUR - Expédié par LMI-partitions
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Consolation
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Consolation
Fanfare [Conducteur et Parties séparées]
De Haske Publications
Wer nur den lieben Gott lässt walten. Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral i…

119.30 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
Consolation
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Consolation
Ensemble de cuivres [Conducteur et Parties séparées]
De Haske Publications
Wer nur den lieben Gott lässt walten. Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral i…

86.79 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
Consolation
+ Détails
Consolation
Ensemble de cuivres [Conducteur]
De Haske Publications
Wer nur den lieben Gott lässt walten. Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral i…

23.90 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
Consolation
+ Détails
Consolation
Fanfare [Conducteur]
De Haske Publications
Wer nur den lieben Gott lässt walten. Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral i…
23.90 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur


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