Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the r…

Success Auteur Hans-Günter Heumann présenté dans ce volume 50 mélodies inoubliables et chansons pour pianistes de niveau avancé. Des pièces telles que (j'ai eu) le temps de ma vie, Rock Around The Clock, Singin 'In The Rain, Azzurro, Chanson de Solveig, Moonlight Serenade, ou Time To Say Goodbye ont été organisées sonore et varié et fournir un prolongement idéal pour tous , qui sont devenus tout s…

Ce volume contient les chants de Noël les plus populaires dans les arrangements très simples qui sont déjà fait confortablement par les débutants. La sélection des chansons allant de la chanson traditionnelle de Noël allemand de la musique internationale. Toutes les chansons peuvent être jouées avec un ou deux flûtes. Chaque chanson sur le CD est enregistré en 2 versions: avec ou sans cannelures, …

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orc…

Par MATHEOS CHRIS. This method book explains how percussive slap bass works with the drums, and how playing percussively will make you 'lock' tighter with the drummer. Included are sections on building a percussive groove, pop control, moving patterns, individual string control, slap without pops, slapping with tensions, double pops, slapping with dyads, triplets, Flamenco thumb technique, odd met…

Par BULLA STEPHEN. Authentic Big Band swing style music for the concert band! You know this one will be a crowd pleaser, and SO much fun to play! Stephen Bulla works his magic with the great Jazz sounds of the 40s and 50s in such a way that your band will be able to put it together and make it happen. Lots of great jazz style articulation and harmonic considerations ensure that your students are d…

Arr. Philip Sparke. Par MILES JOHN. Born in Jarrow, northeast England, in 1949, John Miles was something of a child prodigy, learning the piano from the age of five. In the early ’60s he persuaded his father to buy him a guitar and by the end of the decade he had joined a semi-professional band, The Influence. The group soon disbanded and by 1969 Miles was recording with his own group, The John Mi…

You've been through FastTrack Ukulele 1 several times, and you're ready for more - you came to the right place! This fun continuation in the series begins right were Book 1 ended - you'll learn more chords, more rhythms, plenty of cool techniques and much more. The last two songs in all the FastTrack Level 2 books are the same so that you and your friends playing other instruments can form a band …

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…