Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par PARRY BEN / L'ESTRANGE A.. Music For Special Occasions brings together 10 secular choral works in on volume, carefully selected to cater for a wide variety of performance contexts - whether joyful, reflective, or commemorative. Practically and flexibly arranged for Soprano and Baritone or Low Alto, this unique collection of best-loved classics and new pieces is a must-have resource for all sch…

Par MATHEOS CHRIS. Ce livre a été créé pour le bassiste qui a maîtrisé les bases de la gifle basse et souhaite élargir ses compétences. Beaucoup d'exemples de cet ouvrage ont été écrites d'affiner le contrôle de la chaîne individuels, la capacité de pouce ou pop sur n'importe quelle chaîne à tout moment. Contrôle de chaîne individuels est l'une des faiblesses plus communs avec la gifle basse étudi…

Par DUNCAN CRAIG. Celtic Gems for Cello contains 68 of the most played and loved melodies from the Celtic tradition including 25 reels, 31 jigs, 8 slip jigs and 4 Irish hornpipes. Tunes of similar style are grouped with melodies that work well in sets, or medleys. Stylistic bowing and ornament ideas as well as suggested chord changes are included to give options in interpreting the tunes. / Date p…

Description These studies are designed to explore beyond the present limits of Horn technique and are meant to form a contemporary extension to the older studies of Kopprasch, Gallay, Maxime-Aphonse etc. They are therefore written to be very challenging - each Etude concentrates on an immediately identifiable problem of technique and presents it at an almost virtuoso level. This should not pu…

Vingt-deux des plus grandes chansons de 2002/3 en facile à jouer mélodie arrangements de ligne pour clavier électronique. Idéal pour les débutants, chaque chanson a symboles de corde, paroles, enregistrement suggérée, rythme et tempo. Facile-à suivre clavier diagrammes sont regroupés au début de la chanson et afficher tous les voicings gauche corde utilisés. / Clavier / 48 pages / Partition