Par MENDONCA VASCO. 'Terrance Hayes? series of sonnets is an extraordinary collection of poems: his poetry captures the spiralling social and political chaos in America (and the world) in a way no newspaper article or scholarly essay has been able to; his words have the rare quality of clarifying a collective feeling that is messy and confusing, an elusive and disturbing combination of fear, hope,…

Par . Une collection en format de poche regroupant plus de 80 hits Disney, avec symboles et diagrammes d'accords pour guitare ou ukulélé et les paroles complètes. Comprend les chansons célèbres d'Aladdin, Coco, Encanto, La Reine des Neiges 2, Le Roi Lion, Vaiana, Raiponce, et bien d'autres ! / Date parution : 2022-05-03/ Recueil / Paroles et Accords de Guitare

Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with other X'-compositions. Different works are yet to be performed chronologically. The X'-works are composed by using the same material viewed from many different angles. Their structure can be seen a…

Edward Fairlie's Storm and Urge is a significant work for wind band and portrays a journey of emotional turbulence. The title comes from the German 'Sturm und Drang,? a literary and musical movement of the late 1700s which focused on extremes of emotion. Opening with a simple and reflective theme, we are then taken through a range of emotional settings from uncertainty to resistance, and then calm…

Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again'? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C may have caused its commissioner, Prince Nicholas II Esterházy, in 1807. Unconventional for those times, here Beethoven opened up entirely new worlds of expression …

Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, due, in large part, to his popular violin method. His Concertino remains a popular entry-level piece for students to this day.The piece is characterized by simplicity, clarity and beauty. The themes and melodies are easily identifiable by children, yet never trite and plain. They are catchy and perfectly reflect…

Par VAN DER ROOST JAN. This work, in two movements, was written for the 50th anniversary of “Harmonie St. Cecilia” in Oudenburg, Belgium, and is dedicated to its conductor, Arne Wyntin. The first part is rather quiet and pastoral in character, and is written in a gently rocking 12/8 time. The tranquility of the area around the medieval town of Oudenburg, a rustic region not far from the North Sea,…

Par BRAHMS JOHANNES. This edition of Brahms' greatest, most ambitious vocal work is reprinted from the definitive edition of the composer's works, prepared by Breitkopf & Härtel of Leipzig. Inexpensive but sturdily constructed to provide years of pleasurable use, this full score combines all the musical parts in a clear, readable format, with wide margins, large noteheads, and many other helpful f…

Opening with an optional solo voice stating the simple yet profound message, this anthem then flows into an elegant choral offering of reflective praise, and concludes with a seamless quotation of 'Lo, How a Rose.' This song has been recorded time and again by leading Christian artists, making it a modern classic. / Choeur Mixte (SATB)

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled 'Geistliche Chor-Music? (Sacred Choir Music). Here, the term 'Chor? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocal…

Par PART ARVO. 'In principio' takes its words from the Gospel of John 1:1-14 and puts them into a five-movement form. This work, as in all of Pärt's music, is governed by a strict formal design, with the clarity of the musical structure corresponding to that of the Latin text. The first movement (vv. 1-5) and the fifth (v. 14) are limited to two opposing formal elements: a static, syllabically art…