Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Par MAZAS JACQUES-FEREOL. These precious duos op. 38 and 39 by J. F. Mazas (1782-1849) are not only suitable as teaching material, but also as recital pieces or house music. The present revision of the fingerings and expression marks reflects the current state of violin technique./ Répertoire / 2 Violons

This handbook is primarily intended for candidates preparing for the Grades 6 to 8 Jazz Flute, Clarinet, Saxophone, Trumpet and Trombone exams offered by London College of Music. It contains everything required for the exam (technical work, pieces, sample tests) in addition to performance notes. The grades reflect a structured approach to learning jazz: improvisation is introduced gradually, and a…

Par VLAK KEES. Real-Pop is an easy five movement suite, with each movement, all in contrasting pop styles, reflecting an aspect of the land of the rising sun - Japan. This entertaining new work is a must for all elementary bands who want to add something a little different to their concert programme. / Niveau : 2 / Musique légère originale / Répertoire / Brass Band

A guaranteed showstopper! This playful Irish children's song has been set with rousing clapping and stomping to reflect how it might have been sung by children during their playtime. The Vocals are set in a simple homophonic style, which makes the Body Percussion achievable. This work can be performed with or without Piano and makes a fantastic concert closer! / Choeur Mixte (SATB) Et Piano

A huge hit for Adele in 2011, Someone Like You has here been expertly arranged by Chris Hussey for choirs seeking a powerful centrepiece to their repertoire. Full of gripping emotion and resolve, this dignified tale of romantic reflection won Adele the 2012 Grammy for Best Pop Solo Performance and now choirs too can reap the rewards of this show stopping signature tune. Arranged here for SSA with …

The Op. 79 was announced by Breitkopf and Hartel in Leipzig in December 1810 as 'sonatine pour le pianoforte.' It was also registered at London's copyright registry on August 31, 1810, by the English publisher Muzio Clementi. It is not possible to ascertain exactly when the English edition was available to the public, but it may be that it predates the German edition. Although the Op. 79 bears no …

Par BEETHOVEN LUDWIG VAN. This composition published in 1802 constitutes a completely separate concert piece from Opus 51 no. 1. Compared to the first Rondo (op. 51 no. 1), the second is considerably longer and with a markedly different expressive disposition. Here, lyrical traits predominate without any of the dramatic incursions otherwise so emblematic of Beethoven’s compositions. For that reaso…

This piece reflects Janácek's memories of childhood and youth in his native Hukvaldy and the Augustinian Abbey in Brno. Kry?tof Maratka, a Czech composer resident in France and a great admirer of Janácek, has arranged the original version to produce a welcome addition to the string quartet repertoire.Youth for wind sextet, is a masterpiece from Janácek's late period (1924). Maratka has successfull…