| Tzigane (RAVEL MAURICE) Orchestre d'harmonie Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…
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| Tzigane (RAVEL MAURICE) Alto seul Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…
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| Tzigane (RAVEL MAURICE) Violon (partie séparée) Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…
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| Tzigane (RAVEL MAURICE) Violon et Piano Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…
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| Tzigane (RAVEL MAURICE) Violoncelle Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…
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| Tzigane (RAVEL MAURICE) Orchestre, Violon Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…
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| Messiah (Messias) Orchestre [Partition] Barenreiter
Facsimile of the autograph score in the British Library, London. Par HAENDEL GEORG FRIEDRICH. The first performance of George Frideric Handel’s oratorio “Messiah” on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined “the Sublime, the Grand, and the Tender”. Its success has remained undiminished ever since, and the “Messiah” has taken…
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| Albumblatt für Arriaga (CASABLANCAS BENET) Piano Trio: piano, violon, violoncelle [Conducteur et Parties séparées] Unión Musical Ediciones
Par CASABLANCAS BENET. Albumblatt für Arriaga, commissioned by the Trio Arriaga and lasting some 7:30 minutes, is the composer's fourth contribution to the classical violin, cello and piano ensemble, for which he has a special esteem. The work was written in homage to the composer Juan Crisóstomo Arriaga, and at the same time as a token of gratitude and admiration for the Trio Arriaga, to whose me…
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| Wie Schön Leuchtet Der Morgenstern (BACH JOHANN SEBASTIAN) Partition de Poche [Partition] Barenreiter
Par BACH JOHANN SEBASTIAN. Wie Schön Leuchtet Der Morgenstern (How Bright And Fair The Morning Star) BWV 1. Cantata for the Feast of Annunciation Day. The cantata “ Wie Schön Leuchtet Der Morgenstern ” BWV 1 was written for 25 March 1725, when the Feast of the Annunciation of the Blessed Mary coincided with Palm Sunday. It forms the conclusion of Bach ’s cantata cycle of 1724/25. The anonymous lib…
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| Komm, Du Süße Todesstunde (BACH JOHANN SEBASTIAN) Soli (AT), Chor (SATB), Orchester und Basso continuo Carus Verlag
Kantate zum 16. Sonntag nach Trinitatis. Par BACH JOHANN SEBASTIAN. The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang [yearly cantata cycle], 'Evangelisches Andachts-Opffer' [Evangelical Devotional Offering] by the secretary of the Weimar high conistory, Salomon…
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| Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH) Chorale SSATB SSATB, Orchestre, Basse continue [Partition] Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plu…
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| Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH) Violoncelle, Contrebasse, Basson ou Orgue [Partition] Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plu…
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| Te Deum In B-Flat Major Hwv 281 Alto (HAENDEL GEORG FRIEDRICH) Alto seul [Partition] Barenreiter
Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, th…
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| Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH) Piano, Voix [Partition] Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plu…
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| Te Deum In B-Flat Major Hwv 281 Violon 1 (HAENDEL GEORG FRIEDRICH) Violon [Partition] Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plu…
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| Das Lebewohl (BEETHOVEN LUDWIG VAN) Piano seul Alfred Publishing
The three movements of Op. 81a are entitled 'The Departure,' 'The Absence,' and 'The Return,' dedicated to the Archduke Rudolf, an excellent pianist, friend, and patron of the composer. Rudolf's departure was part of an evacuation plan for Viennese aristocracy to escape the imminent occupation of Vienna by Napoleon's armies. An autograph of the first movement believed to have been presented to the…
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| Te Deum In B-Flat Major Hwv 281 Vents (HAENDEL GEORG FRIEDRICH) Ensemble à vent [Partition] Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plu…
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| Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH) Basse Continue [Partition] Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plu…
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| Te Deum In B-Flat Major Hwv 281 Violon 2 (HAENDEL GEORG FRIEDRICH) Violon [Partition] Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plu…
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| CONCERTO NO.3 IN C MINOR OP.37 FOR PIANO (BEETHOVEN LUDWIG VAN) 2 Pianos, 4 mains Barenreiter
Par BEETHOVEN LUDWIG VAN. Urtext edition reflecting the latest musicological research.
With many corrections in the solo part and Orchestral parts.
Piano reduction for 2 Pianos with a separate solo Piano part.
A must for Pianists,Orchestras and Beethoven scholars.
Beethoven?s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the s…
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| 7 Haiku for flute and guitar (KOSKELIN OLLI) (KOSKELIN OLLI) Flûte et Guitare [Partition] Fennica Gehrman
Par KOSKELIN OLLI. In Olli Koskelin's 7 Haiku for flute and guitar the haiku gets three different interpretations: intertwined with the composed version the performers improvise it and read it out loud. The texts of haiku are included in English and in Finnish. Duration: c. 15' This product is a B4 sized folder with two copies of the performance score (loose pages). Olli Koskelin's (born 16 April …
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