Improvisation is at the heart of jazz, but knowing how to play stylistically correctly in a large jazz ensemble is also a necessity. How to Play Drums in a Big Band offers tips, suggestions, examples and a play along CD to help you put it all together. The repertoire covers many jazz styles from Basie to Latin and African-influenced music to ECM and contemporary jazz (the Vanguard Jazz Orchestra, …

Score + Parties. Par SCHWARZ OTTO M.. In this suite we are immersed in the musical world of Otto M. Schwarz in all its variety. From light-hearted and tongue-in-cheek, through wild-romantic elements all the way to stylistic imitation and complex rhythmic passages, this work combines many different facets. In performance, this suite is sure to be an entertaining experience for musician and listener…

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Tonalité : C-Dur - Op.: 165 -. Par RHEINBERGER JOSEF GABRIEL. The Sonata No. 14 op. 165 is an impressive example for its combination of the “learned” style, as evidenced through various stylistic layers and compositional techniques, together with a powerful, brilliant virtuosity./ Répertoire / Orgue

Based on Chopin's famous Prelude Op. 28 #20, the composer combines, as naturally as possible, classical elements with specific stylistic features of jazz music and even shows some similarities to Rachmaninoff. / Piano

In his works, Eduard Pütz (1911-2000) sought to overcome the boundaries between different genres of music. He often mixed classical elements with stylistic features from jazz and popular music. / Quatuor A Cordes

In his works, Eduard Pütz (1911-2000) sought to overcome the boundaries between different genres of music. He often mixed classical elements with stylistic features from jazz and popular music. / Quatuor A Cordes

Par BROWN JIMMY. Learn the techniques and stylistic elements of classic Motown, Seventies Soul, and Modern RandB bass playing---everything from Jamerson to Jaco. Using simple motifs to build and develop funky grooves, smooth-jazz style, fingerstyle articulations, 'dead' notes and rakes, slap-and-pop technique, jumping octaves using chromatic notes and open string 'bounces,' eighties 'electro synth…