Par COHEN MARY. Superduets Book 2 provides a wonderful new repertoire of original and entertaining duets for beginner violinists. It is designed for well-established beginners who can play the one octave scales of D and G major. Encouraging rhythmic confidence and listening skills, and exploring a wide range of techniques, sound effects and movements, Mary Cohen's Superduets are tailor-made for …

Par JOHNSON TIMOTHY. We are often so focused on presenting the entire ensemble that it’s easy to forget we can also program solo feature pieces. There are so many reasons to do just that. It rewards that special player who has been working so hard. It sets an example for other players in the section. It provides a nice contrast regardless of what else is programmed. Be sure to put on the demonstra…

Par JOHNSON TIMOTHY. We are often so focused on presenting the entire ensemble that it’s easy to forget we can also program solo feature pieces. There are so many reasons to do just that. It rewards that special player who has been working so hard. It sets an example for other players in the section. It provides a nice contrast regardless of what else is programmed. Be sure to put on the demonstra…

Par BACH JOHANN SEBASTIAN / ROB MACKILLOP ROB (Arr.). Bach's solo cello suites are essential studies for many instruments, and the great advantage of playing them on the Mandola is that both instruments share the same tuning: CGDA. In this edition, the bass clef has been transposed to the alto clef, commonly used for the mandola part in mandolin orchestras and other ensembles. This edition provide…

Par SUZUKI. To Learn With Love is a unique book written for parents by parents - parents who have also been teachers of the Suzuki method for many years. From that combined perspective they share with you their experiences and insights. This is a book loaded with practical, usable information that opens minds and hearts to the wonderful adventure of learning with love. / Formation musicale / Dat…

Kantate Zum Neujahrstag. Par BACH JOHANN SEBASTIAN. This cantata was first performed in Leipzig on New Year’s Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this “afternoon worship servic…

Kantate Zum Neujahrstag. Par BACH JOHANN SEBASTIAN. This cantata was first performed in Leipzig on New Year’s Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this “afternoon worship servic…

Par FAURE GABRIEL. Gabriel Faure 's Nocturnes, nos. 1-8. Gabriel Faure was born in Pamiers (Ariège) on 12 May 1845. Owing to his precocious musical gifts, he was able, at the age of nine, to enter the celebrated Niedermeyer School, founded in Paris to train organists and choirmasters. For about ten years he received instruction of great quality, centred mainly on the study of sacred music and the …

La plus grande collection de musique country catalogue ! Presque 200 chansons, tous en facile à jouer format de ' busker '. Comprend ' Achy Breaky Heart ', ' Crazy ', ' Prendre ces chaînes de My Heart ', 'I Can ' T Stop Lovin' vous' et bien plus encore ! / Chant Et Guitare / 128 pages / Partition

Par BARTOK BELA. Bartok's 'String Quartet No. 5' was commissioned by the formidable Elizabeth Sprague Coolidge, leading patron of chamber music in the U.S. in the first half of the 20th century. Bartok is alleged to have composed the work in a one-month span of isolation in 1934, and it received its premiere in Washington, D.C. by the Kolisch Quartet in 1935. The String Quartet No. 5 was published…

Par BULLA STEPHEN. All right. Admit it. When you were a kid, some of your favorite music came from cartoonland. Who knows? It may have been cartoons that first introduced you to your favorite classical masters. Would Rossini's 'William Tell Overture' be what it is today had there been no cartoons? Isn't the glissando the REAL reason your Trombone section decided to play that particular instrument?…

for 3 sopranos and baroque instruments. Par PECOU THIERRY. For me, as someone who considers myself far removed from Christian spirituality and closer to the concept of Immanence than to any form of Transcendence, it was obvious to me that I would not compose a Miserere comparable to Alesandro Scarlatti’s Lamentazioni. It was also my wish to theatricalise the subject matter, following pagan rituals…