Par BRUCH MAX. Aside from his popular Violin Concerto no. 1, “ Kol Nidrei ” numbers among Max Bruch ’s most famous compositions. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor Cello sound is the ideal medium for …

Par FERRANTE ANDREA. The Rapido - Metodo Per Ukulele is a dictionary of chords for the Ukulele, including a guide to the strings, notes and fingerings for this fun and accessible instrument. / Pédagogie / Méthode / Ukulélé

Par STACY PHILLIPS. Stacy Phillips is an internationally acclaimed soloist and author on Resonator Guitar. This comprehensive book took years to produce and is the culmination of Stacy's many years of playing the instrument, studying new Resonator techniques and interviewing other Resonator greats. This book achieves the following objectives: 1. To present an in-depth survey of the styles in which…

for String Orchestra Score and Parts. Par GUTHRIE WOODY. After a brief introduction the violas introduce the first melodic theme then pass it to the first violins in octaves as This Land Is Your Land by Woody Guthrie, Level 4 arrangement by Ethan Epple develops. Epple sets the Americana stage in This Land Is Your Land through staccato, shifting to 5th position, creating a broad pitch range, pizzic…

Par STRAVINSKY IGOR. This transcription of Suite italienne is the first full-scale composition by Igor Stravinsky to enter the double bass solo repertoire. Brian Powell, Associate Professor of Double Bass at the Frost School of Music, University of Miami, has adapted the versions of Suite italienne for violin and for cello as best suits the double bass. Moreover, he has widened the selection of mo…

The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act…

The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act…

From Op.47, 107, 120, 126, 160 and Méthode de violoncelle. Par DOTZAUER JUSTUS JOHANN FRIEDRICH. Friedrich Dotzauer (1783–1860) learnt several instruments during his childhood, but decided in favour of the cello as his main instrument, as “only the violoncello evoked the unforgettable soulful alto voice of his dear mother” (Art. “Dotzauer”, Allgemeine Deutsche Biographie, 1877). He composed and p…

Par FAURE GABRIEL. This volume of 'oeuvres complètes de Gabriel Fauré” contains Fauré's four secular choral works in their orchestral arrangements, namely 'Les Djinns”, 'La Naissance de Vénus”, 'Madrigal”, and 'Pavane”. These works were composed between 1876 and 1887 - thereafter Fauré wrote choral compositions based only on sacred texts. The first three works are presented here for the first time…

Another delightful offering from classroom teacher and storyteller Susan Milligan and jazz singer and music teacher Louise Rogers, Jazzy Fairy Tales Volume II continues the jazz adventures for young children with three new fairy tales designed to bring jazz music into your classroom. The activities provided are a charming way to introduce young children to jazz with the musical stories of 'Georgie…

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do …

Par SEDLON J.H.. This method, which can be used for any size of instrument, from 12 to 120 bass takes the student rapidly through the fundamentals in a manner to establish self-confidence from the first lesson. This book presents a new and scientifically correct program for mastering finger technique, enabling the accordionist to acquire the brilliant technique of the professional player far more …