This collection of nine 'classic' Rock tunes spans five decades of rock history. The arrangements in Rock Philharmonic contain complete versions and lead sheets of original hit songs by top groups and artists: Jerry Lee Lewis, Bobby Day, Sonny and Cher, The Rolling Stones, The Eagles, Journey, and Green Day. Each piece includes a flexible arrangement that allows the melody, harmony, and bass parts…

Hal Leonard Classical Themes For Two Flutes: 24 classical melodies arranged for two flutes, easy level of difficulty, compatible with the other wind instrument editions in this series, ISBN 9781540014115, HL00254439, 23 x 30,5 cm, 48 pages / Hal Leonard

Hal Leonard Classical Themes For Two Alto Saxophones: 24 classical melodies arranged for two alto saxophones, easy level of difficulty, compatible with the other wind instrument editions in this series, ISBN 9781540014139, HL00254441, 23 x 30.5 cm, 48 pages / Hal Leonard

Hal Leonard Classical Themes For Two Clarinets: 24 classical melodies arranged for two clarinets, easy level of difficulty, compatible with the other wind instrument editions in this series, ISBN 9781540014122, HL00254440, 23 x 30,5 cm, 48 pages / Hal Leonard

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par VAN DER ROOST JAN. This flashing piece was commissioned by “Het muziekverbond van West-Vlaanderen” and is dedicated to the “Arlequino” youthband. Colourfully and effectfully instrumentated, this piece speeds towards its finale without any tempochanges. The chord-blocks, wich characterized the introduction, unite this virtuoso piece by reappearing in the end. / Niveau : 5 / Répertoire / Fanfar…

These songs were written for the Old Vic production of Shakespeare's The Tempest in 1962. The original instrumentation was Piccolo, Flute, Clarinet, Horn, Timpani, Harp, Bells and Harpsichord. The instrumentation in this edition (Piccolo doubling Flute, Clarinet in B flat, Horn in F, optional percussion (small Bass Drum and Bells) and Harpsichord or Piano) is Tippett's revised version. / Voix Et E…

Par MCCABE JOHN. An arrangement of the theme tune from the 1973 Granada Television series ‘Sam’, set in 1930s Yorkshire. Suitable for any treble instrument, this attractive and memorable tune is ideal as a short concert piece or for teaching purposes. / Date parution : 2023-07-31/ Répertoire / Quintette avec Piano

Par . Inexpensive, mathematically designed for accuracy, and made of clear, self-adhering vinyl, it applies easily to the fingerboard. Coloured lines arranged in a scale pattern show the students exactly where to place thefingers. It gives you a resource for teaching finger positions, scales, keys and intervals. Whatever your method, Don't Fret! helps you communicate more effectively. For the fi…

Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauermusik' can now be performed in churches as well.Versions of 'Trauermusik' for viola or violin or violoncello with piano have been available for quite some time. Now, organists too can include this fam…

Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauermusik' can now be performed in churches as well.Versions of 'Trauermusik' for viola or violin or violoncello with piano have been available for quite some time. Now, organists too can include this fam…

The two existing manuscripts (1915 and 1926) of these extracts 'arranged' by Falla himself correspond to the very beginning and end of a long period during which El Amor Brujo can be seen in a series of different states. They demonstrate the care which the composer generally brought to the task of instrumentation, and more particularly the aptness and validity of this piece in his own eyes as cham…