8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to…

Par BERNIE BEN / MURTHA PAUL (Arr.). This early jazz standard became the theme song for the famed Harlem Globetrotters, and has remained popular through the years. Paul's clever version for flexible instrumentation passes the melody between upper and lower parts and even includes a stop-time section that features the percussion./ Répertoire / 5-Part Flexible Concert Band et Percussion

Par CURNOW JAMES. Joyfully proclaim the Christmas season with James Curnow’s energetic exploration of Angels We Have Heard On High! While adhering to ranges and rhythms easy enough to prepare for performance by Christmas, this exciting arrangement explores the multitude of colors that can be expressed by Woodwind, Brass and the Percussion instruments. Counterpoint and contrast make it an exception…

Par VAN DER ROOST JAN. The versatility of Jan Van der Roost is displayed in this Brasiliana: a suite made up of typical Latin American dances. The movements ‘Cha-Cha-Cha’, ‘Calypso’ and ‘Samba’ are colourfully scored for wind band. The piece is of intermediate difficulty and pays special attention to Latin American percussion instruments. / Niveau : 3 / Musique légère originale / Répertoire / C…

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Par COHEN MARY. An assortment of 20 pieces to pick and mix - from easy classics to great new pieces, this collection covers it all! ‘All Sorts’ is designed to fit the technique and capabilities of the young player, with easy-to-play piano accompaniments for the teacher. / Instrumental Music / Recueil / Violon et Piano

Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this string quartet arrangement of his famous concerto for violin and oboe (BWV 1060) by John Cooley as he was well known for making arrangements of his own works, according to instrumental resources at his disposal. Bach himself made an arrangement of this piece for two solo harpsichords and string orchestra. It is quite ?not…

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all th…

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all th…

Par . Volume Two of this two-part series, an approach to jazz improvisation for the beginning player, with copious exercises plus a wealth of compositions with rhythm section. The entire volume is based on the Mixolydian mode, all chords used are dominant 7th chords. Includes a 56-page music book with full instructions, exercises and compositions for C, B-flat, E-flat, and Bass Clef instruments, a…

In this arrangement of Faure's Requiem for soloists, female choir and organ, the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged, while the original baritone solo now resounds in the alto. The organ arrangement takes all three versions of the Requiem in…