Par HUSSEY CHRISTOPHER. This fun and approachable method introduces young people to the keyboard through enjoyable activities and pieces. Technique is cleverly developed step-by-step with clear guidance and all the supporting resources needed for a smooth and fulfilling learning journey. Suitable for group or individual lessons, and offering performance opportunities right from the start. This pup…

Par DANIELE PINO. This collection features The Most Beautiful Songs by Italian singer-songwriter and guitarist Pino Daniele. The influential musician had a vast number of hits that spanned genres, the best of which are included in this first volume of his most beautiful songs, arranged for Guitar with melody line. / Pop & rock / Recueil / Chant et Guitare

EUNOIA, made up of the particles eu and noia which mean 'beautiful' and 'thinking', describes, in rhetoric, the goodwill a speaker elicits from listeners. This word which contains all five vowels is the name given to a young ensemble from Basle which consists of 4 instrumentalists from different instrument sections and a soprano, and it is the title of Mike Svoboda's 'Ballade' which was created on…

Par THOME FRANCIS. For Bb Cornet or Bb Trumpet with Piano accompaniment, Fantasy was composed by Francis Thomé. Written for the Paris Conservatoire contest in 1902, this piece is very musical and quite challenging and would fit upper intermediate players. This piece can sound quite dramatic but is very melodious too and can be considered as an important addition to the repertoire for Trumpet and C…

Les paroles complètes et formes de corde de guitare pour trente-trois classiques chansons de Bob Dylan, tout spécialement organisés par Rikky Rooksby dans leurs clés originales. Les titres comprennent Forever Young, M. Tambourine Man et The Times ils Are A-Changin / Chant Et Guitare / 96 pages / Partition

C'est parmi le répertoire de l'enseignement plus largement utilisé pour les chanteurs aux Etats-Unis. Plus de 30 chansons dans chaque livre, y compris les chansons d'art américain et britannique, arrangements de chansons folkloriques, chants sacrés et un échantillonnage de compter les chansons en allemand, italien, espagnol et français. Il y a une sélection de chanson complètement différent pour c…

The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act…

These three a cappella movements each originate from different largescale compositions, some for fairly substantial forces. In these works, when the focus is turned on the essence of a statement, I have (probably out of pure instinct) permitted all adjuncts - such as subtle orchestral accompaniment, opulent percussion, soloists, electronics etc. - to fall silent and tried to express myself through…

Par CHRISTIANSEN COREY. Bill Evans (1929-1980) is one of the highest regarded jazz pianists in the history of jazz. His harmonic and rhythmic language in combination with superb taste and technical perfection places him in a category by himself. His style of harmonization and improvisation has been an inspiration to countless pianists as well as other instrumentalists in the field of jazz. This bo…

Par HOSAY JAMES L.. This delightful medley of timeless Scottish tunes speaks to the piper in all of us. Richly orchestrated and profuse with creative contrast, it will be an exciting addition to your next concert appearance. Regarding preparation, the ranges, rhythms and mixture of styles are right on target for this level band, and Piper’s Rhapsody is sure to become a favorite with your musicians…

Par KRZANOWSKI ANDRZEJ. Relief VII (1988) is a composition in which we can hear echoes of phrases contained in Programme no. 6 and Relief IV. This time they are evoked by tubular bells in secundal-tritonal motifs and, in general, by other percussion instruments. The accordion part is dominated by the narrative of unrestrained repetition, often based on broken ninth structures, ending with four sil…