/ Soprano

/ Piano

Arrangeur: Alan Bern_Thomas Christian David. This collection of duets arranged for clarinet and accordion is a comprehensive introduction to the Jewish musical tradition of klezmer. Pedagogically valuable, the collection inspires players to experience and understand the tradition on a deeper level. The seamless blend of composition and player - a characteristic feature of klezmer - makes Yiddish f…

Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach’s Magnificat BWV 243 is opulent festive music that in many respects represents a special feature in his œuvre. The first version (in E-flat major, BWV 243.1) was premiered only one month after Bach took up his post as Thomaskantor in Leipzig in 1723. In the same year, Bach adds the four Christmas interludes, so-called Lauds, and performs the expande…

Livre de poche regroupant une compilation de standards de Jazz. (I'm Afraid) The Masquerade Is Over, (Love Is) The Tender Trap52nd Street Theme, A Ballad, A Blossom Fell, A Cottage For Sale, A Flower Is A Lovesome Thing, A Lovely Way To Spend An Evening, A Nightingale Sang In Berkeley Square, A Portrait Of Jenny, A Taste Of Honey, A Walkin' Thing, A Weaver Of Dreams, A Wonderful Day Like TodayAbl…

Jesu bleibet meine Freude from Cantata 147. Par BACH JOHANN SEBASTIAN. Bach’s appointment as the Cantor at Leipzig’s Thomaskirche in 1723 required him to produce a new cantata for every Sunday service. Jesu, Joy of Man’s Desiring is taken from his Cantata No. 147 and is unusually elaborate, treated more like an aria than a chorale. It is perhaps the best-loved cantata movement from Bach’s entire o…

Jesu bleibet meine Freude from Cantata 147. Par BACH JOHANN SEBASTIAN. Bach’s appointment as the Cantor at Leipzig’s Thomaskirche in 1723 required him to produce a new cantata for every Sunday service. Jesu, Joy of Man’s Desiring is taken from his Cantata No. 147 and is unusually elaborate, treated more like an aria than a chorale. It is perhaps the best-loved cantata movement from Bach’s entire o…

Kantate Zum 3. Weihnachtstag. Par BACH JOHANN SEBASTIAN. The cantata 'Ich freue mich in dir' was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in…

Psalm 51. Par BACH JOHANN SEBASTIAN. Nul autre que Johann Sebastian Bach a adapté le célèbre Stabat Mater de Giovanni Battista Pergolesi pour sa propre exécution à la Thomaskirche de Leipzig. Il remplace l’ancien texte liturgique par une version en vers du Psaume 51 « Tilge, Höchster, meine Sünden » en allemand (disponible chez Carus 35.302). À la fois la composition de Pergolesi et l’adaptation …

Authentic and Accurate Fingerstyle Guitar Anthology. Par . There has never been a collection of fingerstyle repertoire like this one. Beginning with the roots of fingerstyle and artists like Robert Johnson and Reverend Gary Davis along with works of 20th century masters like Chet Atkins and John Fahey and a legion of modern pioneers like Andy McKee and Tommy Emmanuel the sheer scope of this collec…

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian…

Arr. Henk Hogestein. The name of Johann Sebastian Bach (1685-1750) is inextricably connected to the German city of Leipzig. This modest and very dutiful master composer worked like a diligent civil servant. From 1723 until his death in 1750, he was cantor of the Thomaskirche in Leipzig. Since the beginning of the 20th century, the Bach Festival takes place in this city every year. The hallmark of …

Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 a…