Par ZELENKA JAN DISMAS. The two Magnificat settings (C major, ZWV 107; D major, ZWV 108) are amongst well over 30 psalm and Magnificat settings by Zelenka for Vespers services in Dresden. In contrast to the work in C major, where a soprano solo dominates over long passages, the choir has a more prominent part in this Magnificat in D major. Zelenka also heightened the festive character of the work …

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio'), Bach reveals a special fondness for colourf…

Floreat Musicae No.1. Par PURCELL HENRY / LEMETRE. for brass quintet (with 2 timpani ad lib. )/ Répertoire / Ensemble de Cuivres

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…

BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his…

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Par SCHWARZ OTTO M.. The play-along book ?Playing with the Concert Band VOL. I? has been designed for Flute, Bb Clarinet, Oboe, Bassoon, Eb Alto Saxophone, Bb Trumpet, F Horn, C Trombone, Bb Euphonium, C Euphonium, Tuba, Mallets Percussion and Timpani /Percussion. The original concert band part for each instrument with some additional parts is printed in its own edition. The concert band recording…

Par BOMHOF GERT. Following Malletino and Fun-4-All, this work is the third in a series of compositions for five mallet instruments and five percussion instruments (including bongos and timpani). Malletino was written specifically for beginnerpercussion ensembles, whereas the technical and musical level required for Sequenza Percussola is clearly higher. In short, this work is a challenge for the e…

Par SCHWARZ OTTO M.. The play-along book ?Playing with the Concert Band VOL. I? has been designed for Flute, Bb Clarinet, Oboe, Bassoon, Eb Alto Saxophone, Bb Trumpet, F Horn, C Trombone, Bb Euphonium, C Euphonium, Tuba, Mallets Percussion and Timpani /Percussion. The original concert band part for each instrument with some additional parts is printed in its own edition. The concert band recording…

Par RIDOUT ALAN. Format: New Edition portrait/ Répertoire / Timbales

Par BRAHMS JOHANNES. Braham's second symphony was an instant success when it first premiered in 1877. From its ingenious treatment of attractive melodic ideas in the first movement and the somber adagio, to the lyrical charm of the allegretto and the finale's robust cheerfulness, it is a delightful combination of enchanting melodies and masterly thematic treatment. A staple of the repertoire, it i…

The studies in this book are musical explorations in varied settings. They are designed to develop technical and musical skill in timpani performance. / Percussions

Alpenstock (Barratt)
Bravura (Barratt)
Classical Minuet (Barratt)
Fanfare (Barratt)
Fivestones (Barratt)
Harvest Time (Barratt)
Jamie's Two-Step (Barratt)
Kettle Waltz (Barratt)
Lullaby (Barratt)
March Past Kiev (Barratt)
Middlesex March (Barratt)
Minuet in Blue (Barratt)
Musette (Barratt)
Out-of-Step March (Barratt)
Pamp's Rag …

Par FRIESE. / Méthode / Méthode / Timbales

for 6 Bassoons and Contrabassoon. Par MOZART WOLFGANG AMADEUS / JOHNSTON MATT (Arr.). The Marriage of Figaro Overture by Wolfgang Amadeus Mozart, arranged for Bassoon Choir by Matt Johnston. Instrumentation: 6 Bassoons, Contrabassoon (or String Bass), Timpani (optional). / Date parution : 2022-11-29/ Répertoire / Ensemble de Bassons