Continuing in the tradition of previous publications in the Classics series: Classic Solos and Classic Duets, Mary Karen Clardy has selected 24 of the most significant standard études from Carl Joachim Andersen's op. 21, 30, 33, 37 and 41, Antoine Benoit Tranquille Berbiguier's Studies and Ernesto Köhler's Romantic Études op. 66. Performance notes, composers' biographies and a glossary of terms ar…

What can age yet never grow old, and grip yet always pursue? The very popular Tum Balalaika, a traditional Yiddish riddle song with deep Russian roots, contains the answer: a haunting melody. This arrangement combines that mesmerizing melody with rich harmonies to produce a lushness that will encourage and inspire your students to play with passion and purpose. Beware! It may haunt you all of your…

plus AUDIO MIDIFlamenco Piano is a method devised to teach pianists how to play flamenco. It provides not only pianists but also composers, theorists and musicians in general with an in-depth study of the rhythm, harmony, melody and form structures of every flamenc and shows how these are practically applied to the piano. In addition to scores for learning and playing traditional flamenco, this in…

Par UROS DOJCINOVIC. In this remarkable video/solo guitar recital, Serbian musician, composer, pedagogue and publisher, Uroandscaron - Dojcinovic, takes the listener on a musical journey through: Russia, Ukraine, Spain, South American, the Far East (Japan and China), and the Balkan countries of his native former Yugoslavia (Bosnia, Serbia and Croatia). Each piece includes a wealth of photo documen…

Prayer to the Power of Love. Par BORTNIANSKY DMITRY STEPANOVYCH. The Ukrainian Dmitri Bortniansky (1751-1825) received lessons at the local singing school in his hometown of Hlukhiv, and soon his extraordinary talent was recognised. He was somewhat of a child prodigy, writing his first opera at a young age. Following his studies Bortniansky was appointed court composer and Kapellmeister of the Imp…

from opus 170 - Edizione a cura di Luca Ciammarughi. Par CASTELNUOVO-TEDESCO MARIO. Mario Castelnuovo Tedesco composed 52 Greeting Cards for various instruments between 1953 and 1967, collectively catalogued as opus 170, which he developed in a non-systematic manner up to the year before his death. These pieces were conceived as gifts for his interpreters and students, whom the author meant to gra…

Song cycle for medium voice and piano, based upon the poetry of Ivor Gurney and Leonard Clark. A set of pieces very much in the English lyrical vocal writing tradition of Butterworth, Ireland and, of course, Gurney. ' The Pine Boughs Past Music is a song cycle baseed upon poetry associated with Gloucester and was commissioned to celebrate the eightieth anniversary of the Gloucester Music Society. …

Recueil de morceaux 12 hits pop, chansons de films et evergreens Écrits dans des arrangements simples pour 1 à 2 saxophones alto en Mi bémol Avec textes et accords, ainsi que des informations sur la tonalité ISBN: 978-3-7957-1077-4, éditeur no. ED22574 Format DIN A4 36 pages CD inclus avec enregistrements de démonstration et d'accompagnement / Schott

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Li…

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' (Ps 109 [110]) und 'Beatus vir' (Ps 111 [112]) liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische (für ihn also heimatliche) Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilic…

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' [Ps 109 [110]] und 'Beatus vir' [Ps 111 [112]] liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische [für ihn also heimatliche] Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilic…