Ma première partition In Nomine pour flûte alto en sol, violon, alto, violoncelle et claves, reprend une tradition de la Renaissance anglaise oubliée depuis Purcell: composer une 'fantaisie' fondée sur la structure mélodique des mots In nomine Domini du Benedictus de la messe Gloria tibi Domine de John Taverner (v.1490-1575).Initiative de l'Ensemble Recherche en 1999 à Witten avec un premier chapi…

Par USHER ALEX. Children's Song Favorites is a collection of 75 songs for children of all ages, most of them from the folk tradition. They have been collected over more than fifty years by a professional folk singer, who is also a mother and grandmother. Each song has the melody line, complete lyrics and suggested accompaniment chords for guitar or other instrument. Many of them are unusualand#151…

Op. 106. Par REGER MAX. Max Reger?s setting of Psalm 100 is one of the ?grand style? choral-symphonic works of the classical modern repertoire. Contrapuntal skill in the tradition of Bach combines with overwhelmingly powerful expressiveness, rich in contrasts. The full harmonic and stylistic breadth of the early 20th century sings out, not only in frenetic song, but also in the search for awarenes…

Pour Piano. Par HAHN REYNALDO. The unacquainted listener, upon hearing a piece from the Hahn piano repertoire, is often surprised by its powerful charm - a testament to the composer' s unique musical sensibility. Although some of Hahn' s musical ideas have roots in the long tradition of Romanticism, they also present a host of new images, scarcely seen in earlier scores Each piece in this collect…

Par ICKES ROB. In these extraordinary studio performances, Dobro virtuoso Rob Ickes (Blue Highway, Three Ring Circle) is joined by bluegrass prodigy Andy Leftwich (Ricky Skaggs and Kentucky Thunder, Three Ring Circle) on mandolin, and then by jazz pianist Michael Alvey. These powerful sets of richly improvisational instrumental duets are followed by two signature solo works that showcase Ickes' tr…

For Viola And Piano. Par WATKINS HUW. Est-l'ouverture d'un geste impatient dans le piano immédiatement répondu par une ligne d'Alto énergique, que le piano puis rejoint et les interrompt '. Cette valeur définit la scène pour Watkins ' Fantasy ', une oeuvre contemporaine écrite dans la tradition Baroque, pleine de très contrastées des articles. Articles expansives exploitant les qualités lyriques d…

in E flat major. Par STEFANI JAN. Composition was completed at the beginning of 1825, in stylistic terms it falls between Classicism and Romanticism. The straddling of stylistic epochs is evident in the four-movement design of the quartet, which refers do Classical solutions established during the previous centrury also in other genres. Nethertheles, it is worth drawing attention to the third move…

The new RSL Classical Piano syllabus aims to reflect the widening tastes of young people, positioning itself at the forefront of the vast array of music available to pianists, encompassing the rich heritage of music from the Baroque right through to the modern day and emerging composers. The repertoire strikes a balance between a radical redesign and maintaining a recognisable structure, and stick…

The new RSL Classical Piano syllabus aims to reflect the widening tastes of young people, positioning itself at the forefront of the vast array of music available to pianists, encompassing the rich heritage of music from the Baroque right through to the modern day and emerging composers. The repertoire strikes a balance between a radical redesign and maintaining a recognisable structure, and stick…

The new RSL Classical Piano syllabus aims to reflect the widening tastes of young people, positioning itself at the forefront of the vast array of music available to pianists, encompassing the rich heritage of music from the Baroque right through to the modern day and emerging composers. The repertoire strikes a balance between a radical redesign and maintaining a recognisable structure, and stick…

The 'Petite Messe solennelle? is the finest work of Rossini's late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet -Will for the consecration of her private chapel, where the work received its first performance in March 1864. Together with the 'Stabat mater?, the mass is one of the composer's mostimportant sacred works.The unusual instrumenta…