Par JOHNSON TIMOTHY. Based on the African-American spiritual “Ev’ry Time I Feel the Spirit”, Feel the Spirit captures the essence of the traditional spiritual. These songs were created by African-Americans oppressed by slavery. A deeply religious people, the slaves would use singing as an expression of both their enthusiastic joy and profound sadness. Feel the Spirit enables you to play a great go…

Par SALLOUM TREVOR. Trevor Salloum: Afro-Cuban Rhythms combines two of the renowned author's popular previous editions. This Gig Savers book has been specially designed for the intermediate to advanced level percussionist who has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussion ensemble or for the individual who wants to learn…

Series C. Par MONIUSZKO STANISLAW. The work of neoclassical character, in the traditional form of a suite combining transparency of texture with lightness of expression. As is typical for the genre, the parts of the cycle are juxtaposed based on contrast in character and pace. The piece begins with a rough and somewhat 'robbery' Allegro, followed by Moderato, which is a refined and at the same tim…

Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the first verse of the old plainsong hymn 'Veni redemptor gentium', which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an…

Par DE HAAN JACOB. Fresena is the original name for Friesland, a northern province of the Netherlands, with its own language and culture. In this simple mars, Jacob the Haan used two traditional Friesian folksongs. Together with his composition Fox from the North this mars was a part of the festival suite that Jacob de Haan once wrote by order of the council of Friesland. / Niveau : 0.5 / Réperto…

Par NELSON SHEILA MARY. Simple string quartet pieces arranged by Sheila Nelson to encourage ensemble playing from the earliest stages. Includes an attractive mixture of traditional melodies, classical material and original contemporary pieces. Scored for two violins, viola (optional third violin part included) and cello. String Quartet (Score & parts)./ Répertoire / 2 Violons, Alto ou Violon et Vi…

Par SZALONEK WITOLD. This work reveals the remarkable world of Szalonek?s imagination. Making use of the traditional form of the chaconne, he leaves the soloist ample possibilities for interpretation ? avec fantaisie ? particularly in terms of agogic shifts, and also in the way the narrative is led. In Chaconne-fantaisie, the soloist displays the whole spectrum of the violin?s sonoristic capac_x00…

A Caribbean Suite A suite based on traditional Caribbean tunes arranged for elementry string orchestra with piano accompaniment Com­po­si­teur: Colledge, Katherine Com­po­si­teur: Colledge, Hugh Ins­tru­men­ta­tion: cordes (violons et violoncelles, altos et contrebasses ad libitum) et piano Édi­tion: Partition et parties, with CD containing printable string parts Langue :…

Par LACHENMANN HELMUT. temA was written in the summer of 1968. In spite of Ligeti's “Aventures” it may be considered one of the first compositions in which the breathing plays a role as an accoustically transmitted energy process (Holliger, Globokar, Kagel, Schnebel and Stockhausen in “Hymnen” have already worked on this phenomenon independently of each other and from different points of view). Mo…

Nick Barber has been part of traditional English music sessions up and down the country for many years. His copious notes have resulted in this tune book suitable for any melody instrument (fiddle, accordion, tinwhistle, recorder, etc.). The tunes are accurately transcribed, referring to original sources wherever possible. Also included is information about each tune, with Nick's choice of chords …

Located in the county of Kerry in southwest Ireland, this charismatic overture musically celebrates the rich history of Celtic music, dance, and folklore. Employing a variety of textures and timbres, every member of your band has an opportunity with the traditional-sounding Irish melodies while presenting generous opportunity for instruction with meters and balance. A sure winner! (2:30) / Concert…

Arr. Sierd De Boer. Par TRADITIONAL. Langue: Deutsch / Niveau : 1.5 / Hymnes et chorals / Recueil / Tuba en Sib en Clé de Sol

Now available for mixed voices! This traditional greeting/salutation song of the Kwangali and Sotho people, with authentic call and response vocals, djembe, bass drum and shakers will be easily learned and a singer and audience favorite! / Choeur Mixte (SATB) A Cappella

Par ZALBA JAVIER. A comprehensive introduction to saxophone styles in traditional and contemporary Cuban music from one of the most renowned and internationally acclaimed Cuban musicians (Cubanismo, Irakere, Buena Vista Social Club and many others). Features numerous etudes and five original compositions in the styles of Cha-cha-chá, Danzón, Bolero, Guaracha and Latin Jazz. (All levels) / method w…

with Optional Rock Rhythm Section. Par WOOD MARK. This multi-level piece includes a full set of parts for grade 2 as well as a full set for grade 4 ensembles. Mix and match the parts as you need---perfect for mixed-ability ensembles! The traditional bolero is a moderately slow dance in triple meter which originated in late 18th century Spain. Since then it has spread to other countries and become …