The three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz …

Par PARRY CHARLES HUBERT. Strings/ Répertoire / Violon et Piano

Par DUTILLEUX HENRI. Composed between 1967 and 1970, Tout Un Monde Lontain for Cello and Orchestra, byHenri Dutilleux, is one of the most important additions to the Cello repertoire in the 20th century. Composed between 1967 and 1970, Tout Un Monde Lontain for Cello and Orchestra, by Henri Dutilleux, is one of the most important additions to the Cello repertoire in the 20th century. Lasting nearly…

Par MARTIN WOLFGANG. Este segundo cuaderno continua el estudio del instrumento con nuevos ejercicios y dificultades: el cambio de semitono con el tercer dedo - escalas en corcheas - melodía en La mayor y en Mi mayor - cambio de semitono con los dedos 2o y 3o - cromatismo / Études et exercices / Recueil / Violon

/ Duo De Cordes Et Trio De Cordes

/ 2 Violons Et Violoncelle

/ Quatuor Avec Piano

Par SCHUBERT. for 2 flutes (or violins), 2 oboes (or violins), 2 clarinets (or violins), saxophone, bassoon (or cello, or bass clarinet) and 2 timpani (with 2 trumpets ad lib. )/ Répertoire / Piano 4 Mains (Transcri Partition Orchestre)

/ Quintette A Cordes

Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violi…

Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violi…

FOR STRING ORCHESTRA WITH PIANO AND PERCUSSION INSTRUMENTATION : STRING ORCHESTRA WITH PIANO AND PERCUSSION VERSION : SCORE AND PARTS DESCRIPTION : THIS ARRANGEMENT OF THE WORLD-FAMOUS HIT 'O FORTUNA' IS INTENDED FOR SCHOOL ORCHESTRA AND AMATEUR ENSEMBLES, ALLOWING AMATEUR ORCHESTRAS TO GIVE IMPRESSIVE PERFORMANCES OF ORFF'S MASTERPIECE. FOR THIS PURPOSE, THE VIOLINS CAN BE PLAYED IN THE FIRST O…