for Piano, Violin, Viola, Violoncello and Double Bass. Par SCHUBERT FRANZ. Ausgaben Für Die Praxis Nach Der Neuen Schubert-Ausgabe. Urtext/ Répertoire / Piano, Violon, Viole, Violoncelle et Contrebasse

12 International Folk Tunes. Par . Wim Dirriwachter a rassemblé un total de 24 arrangements pour deux violons dans une collection intitulée Folk Music for Violin Duo, basée sur des chansons folk et autres musiques traditionnelles provenant de divers pays à travers le monde. Cette collection est divisée en deux volumes par niveau de difficulté : de facile à intermédiaire pour le volume 1 et d?inter…

Violin Duets. Par DIVERS AUTEURS / ARR.ALEKSEY IGUDESMAN. In 'Waltz and More”, for two violins, Chopin, Brahms, Tchaikowsky and, of course, Strauss get the unique Igudesman treatment, together with a good selection of Alexsey's own compositions. This is, quite simply, music for letting your hair down! Are you looking for an encore or some relaxation after struggling with Bartók's 44 Duos? Look n…

Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) Individual Instruction with a trained Suzuki teacher 2) Group lessons on a bi-weekly / weekly basis 3) Parent Involvement 4) Encouragement. Students begin lessons as early as two ye…

Par SUZUKI SHINICHI. Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know come from developing a child's potential so he/she can …

Recueil de chansons de bande originale pour violon 30 chansons de Disney Arrangées pour deux violons Inclus une voix pour premier violon et une voix pour second violon Niveau de difficulté: intermédiaire ISBN 9781495088759, éditeur n°: HL00217578 Format: DIN A4 63 pages / Hal Leonard

Songbook pour violon 12 tangos arrangés pour 1 à 2 violon Arrangements d'Edward Huws Jones Avec accords Avec accompagnement au piano Niveau de difficulté facile à moyennement élevé ISBN 9780851625003, ISMN 9790060115806, n° d'édition BH1002655 Format: 23 x 30,5 cm 108 pages / Boosey and Hawkes

Classical Sheet Music for Violin Georg Philipp Telemann: Methodical Sonatas for Violin or Flute and Basso continuo 1 Urtext Booklet 1 Edited by Max Seiffert 2 Sonatas for violin or transverse flute Intermediate level of difficulty ISMN: 9790006419029, publisher's no. BA 2241 Format: 24.3 x 31 cm 20 / 11 / 11 Pages / Bärenreiter

Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, due, in large part, to his popular violin method. His Concertino remains a popular entry-level piece for students to this day.The piece is characterized by simplicity, clarity and beauty. The themes and melodies are easily identifiable by children, yet never trite and plain. They are catchy and perfectly reflect…

Par SUZUKI SHINICHI. Dr. Shinichi Suzuki did extensive research to develop his series of Violin repertoire books. The pieces are presented in the Suzuki Violin School CD series. Performed David Cerone, these are excellent instructional materials. Suzuki Violin School CD's are available for Volume 1 (0485), Volume 2 (0486) and Volume 3 (0487). / Méthode en anglais / Accessoire / Violon

revised edition. Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) Individual Instruction with a trained Suzuki teacher 2) Group lessons on a bi-weekly / weekly basis 3)Parent Involvement 4) Encouragement. Students begin lessons as…

20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers…