Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s s…

Solo Feature for Flute, Violin, Clarinet, Alto Sax, or Xylo./Marimba and Opt. Narrator. / Niveau : 3 / Œuvre solo et Orchestre / Répertoire / Concert Band ou Harmonie

for Woodwind Quintet and Quartet of Strings. Par . Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. Composed in honor of the 75th Anniversary of the Summer Music Camp for Can't-Get-Enough-Chamber-Music Aficionados, aka the Chamber Music Conference and Composers' Forum of the East, Camera Oscura explores musical kernels imbe…

Partition classique pour flûte à bec
- Jean-Baptiste Loeillet de Gant: sonates op.1 n° 1-3
- Pour flûte à bec alto (flûte traversière/hautbois/violon) et basse continue
- Publiée par Johann Philipp Hinnenthal
- Niveau de difficulté moyennement élevé
- ISMN 9790006000722, n° d'édition HM 43
- Format: 23 x 30 cm
- 27 / 12 / 8 pages

Par MUSTONEN OLLI / BACH JOHANN SEBASTIAN. Paraphrase Of The 3 Movements From The Partita In E Major For Violin Solo/ Répertoire / Piano

Contents: The Brooklet from Die schone Mullerin (Schubert) * Daisies, from Six Songs (Rachmaninoff) * Flight of the Bumble Bee, from The Tale of Tsar Saltan (Rimsky-Korsakov) * Hopak, from Sorochintsy Fair(Mussorgsky) * Liebesleid (Kreisler) * Liebesfreud (Kreisler) * Lilacs, from Twelve Songs (Rachmaninoff) * Lullaby, from Six Romances (Tchaikovsky) * Minuet, from L'Arlesienne Suite No. 1 (Bizet)…

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s s…

for Strings Score and Parts. Par . Twelve Days of Christmas, arranged by R. Scott Whittington, is a time-honored holiday favorite, equally popular with young and old. This arrangement for developing orchestra at Level 3, creates a festive mood with a warm introduction presented by solo violin andcello, which leads into several contrasting adaptations of the piece. A minor variation provides a mome…

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s s…

Par WATERFIELD POLLY / BEACH L.. This is a celebration of music from the time the pioneers explored the vast reaches of North America. A presentation of eleven imaginative and idiomatic arrangements for elementary cello Grade 1-3 with Piano. Helpful background notes help players to understand the style and spirit of the music. The book is also compatible with the Viola and Violin editions, giving …

This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well sui…

Mvt. 3 from Concerto No. 2 for Violin and Orchestra. Par PAGANINI NICCOLO. Arrangeur: Denis Bouriakov / Musique contemporaine / Répertoire / Flûte Traversière et Piano

Par BRAHMS JOHANNES. Braham's second symphony was an instant success when it first premiered in 1877. From its ingenious treatment of attractive melodic ideas in the first movement and the somber adagio, to the lyrical charm of the allegretto and the finale's robust cheerfulness, it is a delightful combination of enchanting melodies and masterly thematic treatment. A staple of the repertoire, it i…