A bumper collection of 30 all-time favourite audition songs. Whether you're entering a competition, performing at a festival or getting that all-important stage part, the choices in this collection provide a range of pop hits that will show off your voice like never before! Awe the judges and impress the crowds with these great arrangements, presented for any Voice with Piano and Guitar accompanim…

for Flute, Violin and Piano. Par VALI REZA. Originally written for voice, lute, oud, harp and percussion, this four-movement, instrumental-only version for flute/clave (with optional doubling on Persian ney), violin and piano was written for Iranian flutist Arya Bastaninezhad. Aside from the original, one more version for voice, guitar, percussion, harp and piano is available from the publisher. /…

Par EBB FRED / KANDER JOHN. First performed in 1975, Chicago has become a true classic, and no other show better portrays decidedly questionable human characteristics. Razzle Dazzle features big-shot lawyer Billy Flynn. The lovely but naïve Roxie Hart stands accused of murder, which we know she committed. Here, Billy gleefully explains how to ‘razzle dazzle’ a jury and indeed newspaper readers, us…

A terrific Choral Suite from Andrew Lloyd Webber's The Phantom Of The Opera and part of the Novello Voices Choral Suites Series. Contains: Think Of Me, Wishing You Were Somehow Here Again, The Music Of The Night, The Phantom Of The Opera and All I Ask Of You . These popular modern songs from one of the most famous West End show have been set by Barrie Carson Turner in fabulous arrangements for SAT…

Par KEYS ALICIA. Empire State Of Mind (Alicia Keys/Jay Z) arranged for upper voices with piano accompaniment. This arrangement is part of the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto, with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for …

nach Texten von Maurice Maeterlinck. Par ZEMLINSKY ALEXANDER. Two of Zemlinsky's representative songs from the early 20th century are presented here by editor Clytus Gottwald: Als ihr Geliebter schied, Op. 13 No. 4, and Und kehrt er einst heim, Op. 13 No. 5, in a transcription for five voices or chorus. Gottwald chose these as a logical pair, both dealing with 'parting and returning in vain,' yet …

Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their t…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

16 authentic transcriptions with notes and tablature from the 2016 album release by Dream Theater of all the guitar parts played by John Petrucci. Includes: Astonishing - A Better Life - Chosen - Dystopian Overture - The Gift of Music - Hymn of a Thousand Voices - A Life Left Behind - Moment of Betrayal - My Last Farewell - A New Beginning - Our New World - The Path That Divides - A Savior in the …

Par PART ARVO. Composed in 1990, and revised in 1991, for SATB Choir or soloists with organ accompaniment, Pärt's setting of The Beatitudes is one of only a handful of works (Litany and And One of the Pharisees also falling into that category) composed in English. Taken from Jesus' Sermon on the Mount, as found in Matthew 5:1-12, The Beatitudes provide a fitting structure for Pärt's setting. Each …

Arrangé Pour Sextour À Vents Par Nicolas Prost 2016. Par BERLIOZ HECTOR. This arrangement written by Nicolas Prost in 2016 is a free reconstitution of the lost work Hymne sacré pour les instruments de Sax (Sacred song for the instruments of Sax), which was first performed at the Hertz concert hall in Paris on 3 February 1844. Adolphe Sax himself played the saxophone part. It was the first time tha…

Confitebor. Par VIVALDI ANTONIO. This composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small…

Par VASKS PETERIS. The Latvian composer Peteris Vasks, who is known for his atmospheric pieces for string orchestra, “Cantabile”, “Musica dolorosa” and “Voices”, is concentrating increasingly on chamber music: his latest works are the “Partita” for cello and piano, the “Fifth String Quartet” and a piano quartet. Vasks has brought elements of ancient and folk traditions in Latvian music into his co…

Par WIDOR CHARLES-MARIE. The Chorus Part for Charles-Marie Widor's Messe Pour Deux Choeurs Op. 36. Choir 1: 2 Baritones, Choir 2: SATB Voices. / Musique religieuse / Répertoire / Choeur sans Accompagnement

Voices (8), Bc/ Recueil / Choeur en 8 Parties (SATB-SATB) et Basse Continue