Par RAO DOREEN. Six hits de l'HME Best-seller chorale série pour les chorales supérieurs (2-4 pt treble voices). Comprend des notes d'enseignants et de prononciation guides. Table des matières : I'll Give My Love une pomme, je suis Goin ' Up A Yonder (gospel), Niska Banja (trad serbe), Kenya mélodies (Kenyan trad.), The Storm est passant au-dessus (gospel), quand je chante. Tout ce que vous avez b…

Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonal…

Par MILANI / IBERT. for 2 voices and piano/ Répertoire / 2 Voix et Piano

Voices (8)/ Recueil / 8 Voix (SATB et SATB)

Extended instrumental solo taken from MacMillan's 70-90-minute 'Since it was the day of Preparation ? ' for voices and ensemble, commissioned by the Hebrides Ensemble, Edinburgh International Festival, Soli Deo Gloria and Kings Place, and first performed by the Hebrides Ensemble at the 2012 Edinburgh Festival.The parent work sets the Resurrection narratives from St John's Gospel. Five instrumental…

Par FAURE GABRIEL. This edition of Salve Regina by Gabriel Faure is a version of this Marian hymn for a SABT accompanied by the Piano or the Organ, arranged by Henri Busser. This features lyrics in Latin, and can be sung by two or four voices also accompanied by Violin or Cello ad libitum. This lyrical piece is quite slow (tempo 66) and the Organ score does not feature any pedals: the difficulty c…

Voices (8), Bc/ Recueil / Choeur en 8 Parties (SATB-SATB) et Basse Continue

Par MONTEVERDI CLAUDIO. Voices, Bc/ Répertoire / Divers

This perennially popular song from The Real Group is now available for treble voices, allowing younger school choirs to get into a jazzy groove with this fun, upbeat concert work. Features syncopated, Latin-like rhythms and witty lyrics, with repeated figures that make this easier to teach and learn. Available for SSATB and SSA a cappella. / Voix

A masterpiece of vocal composition, Mozart's final work majestically combines the voices of orchestra, chorus, and four soloists into a deeply moving, elegiac work of glowing intensity. This miniature score version offers a conveniently sized version of one of the most recorded and performed standards of the repertoire.

Par SCHLEE THOMAS DANIEL. For composer Thomas Daniel Schlee, the 'intimate sound possibilities of the string quartet” have the potential 'to formulate an, albeit 'only' individual, solution to the somewhat forlorn condition of new art music within society that we are unfortunately experiencing today.” Schlee's Fourth String Quartet opens with a pure C major sound, out of which he develops a harmo…

Sol Mineur. Par MONTEVERDI CLAUDIO. The Magnificat for 6 voices and basso continuo is the 'small sister' of the Magnificat from the so-called Marian Vespers [Vespers 1610]. Monteverdi published it in 1610 together with the larger work which included obbligato instruments - a real alternative for Vesper services and performances where only an organ is available./ Répertoire / Solistes, SSATTB et Pi…

Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a comprehensive choral score uniting all choral parts in one volume of excellent quality and print. This choral score complements the hitherto available choral parts (ED 4920-01 and -02) presenting female and male voices in separate editions, as w…

Trois poèmes d'Henri Michaux was written for the Zagreb Biennale and first performed there by the orchestra and choir of Radio Zagreb, conducted by the composer and Slavko Zlatic on 9 May 1963. It is composed for 20-part choir and an orchestra similar to that of the Symphony of Psalms, though without the lower strings of the latter.Lutoslaswski has said that the general outline of the work came to…

Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their t…