Par BENJAMIN GEORGE. Picture a day like this is the fourth collaboration between George Benjamin and Martin Crimp, whose acclaimed partnership produced Written on Skin, Lessons in Love and Violence, and Into the Little Hill. The opera – “a kind of Alice in Wonderland, but for adults”, says Crimp – lasts just over an hour and is cast in seven scenes. It is scored for five voices (S-S-MS-CT-Bar) and…

Novello Voices Choral Suite, arrangé par Hywel Davies. Contient: ' le ' A ' train, ' Satin Doll ', ' Luxuriante Life ', ' Things Ain't What They Used To Be' et ' Perdido '. Arrangements de SATB fabuleuses de chansons modernes populaires de spectacles du West End et les mondes de la pop et jazz. / Voix / 24 pages / Partition

Vocal score of One Day More from Claude-Michel Schonberg's Les Miserables . Arranged by Mark Brymer for Soprano, Alto, Baritone voices and Piano accompaniment. Performance time = 3min 35sec / Rép International / Feuillet / Chant

Frozen In evokes the icy calm of a placid winter evening walk, not just any walk but the walk of great friends with a long shared history. The crystalline imagery of the poetry is perfectly depicted in this setting for women's voices, evoking the calm of the atmosphere and the icy walk. / Choeur SSA, Violon Et Piano

Par MCCARTHY JAMES. The words of Peaceful was the Night are taken from John Milton?s ode On the Morning of Christ?s Nativity, written in 1629. Milton describes the universe halting in utter stillness at the moment of Christ?s appearing on the earth. (As the poet wrote: ?His reign of peace upon the Earth began. ?) In James McCarthy?s carol, the voices play a dual role, as narrator, and by evoking t…

Par VAUGHAN WILLIAMS RALPH. Written for Vaughan William's choir in surrey, these are beautifully judged for amateur voices. The music is direct and sharply characterised. Originally with orchestra, they are equally suitable for performance within choral concerts or as church anthems, with either organ or piano accompaniment. / Niveau : Facile / Répertoire / SATB

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

'I sing because...' is the third and final movement of the choral suite Todd's 'Songs of Love', which was commissioned by Elena Sharkova for the Symphony Silicon Valley Chorale in 2012. The haunting and yearning text about love and loss is written by the American poet, Nils Peterson after a Greek poem by Maria Polydouri. With an aching melody which starts on upper voices and gradually builds to th…

In celebration of the 70th Anniversary of The Wizard of Oz, this book features all of the classic songs by E.Y. Harburg and Harold Arlen arranged for violin with a fully orchestrated CD accompaniment. This book also contains dozens of original production stills, including four pages of colour, publicity photos, an essay on the story behind the songs and biographies of the composers. This book is c…

This expressive ballad has been expertly arranged for a cappella women's voices. A classic song plus a classic setting equals a memorable performance experience for all. / Choeur SSAA A Cappella

Composer David Brunner has a gift for setting texts in melodic phrases with gentle contours and with a lyrical style. He has done exactly that with this text by Victorian age poet and essayist Bessie Rayner Parkes. Parkes was a prominent English feminist and campaigner for women's rights who found music everywhere - in birds, flowers, winds and waves - but mostly in earnest human voices raised in …

Par ABOULKER ISABELLE / JANIKOVSZSK. Si J'Etais Grand is a song for Children and Baritone voices, composed by Isabelle Aboulker, with lyrics by Eva Janikovszky. It is only a part of the full piece, which is to be sung with a Flute, an Oboe, a Clarinet, a Bassoon and a Piano. Really easy, with range and intervals adapted to children's capacities, this song is very entertaining in term of lyrics and…

For Eight Voices or Choir. Par RIMMER BENJAMIN. / Date parution : 2022-03-15/ Répertoire / Choeur SATB