Vocal score of One Day More from Claude-Michel Schonberg's Les Miserables . Arranged by Mark Brymer for Soprano, Alto, Baritone voices and Piano accompaniment. Performance time = 3min 35sec / Rép International / Feuillet / Chant

London College of Music Drama handbooks contain all of the material that is needed to take an LCM exam in a single publication, including a selection of performance pieces in each of the three forms, Prose, Drama and Verse. These pieces have been carefully selected to provide a range of voices and styles from different periods. / Exams / Recueil / Voix

A collection of part-songs and canons for equal voices with piano accompaniment. / Voix

Par HAWES PATRICK. These four motets aim to create a fresh and dramatic approach to well known ancient texts. They are intended to be sung either as a complete set in the context of a concert or as individual items within a carol service or other liturgical setting. Virga Jesse calls for an atmosphere of timelessness and deep prayer which may be made all the more meditative by the hushed allelui…

Par MCCARTHY JAMES. The words of Peaceful was the Night are taken from John Milton?s ode On the Morning of Christ?s Nativity, written in 1629. Milton describes the universe halting in utter stillness at the moment of Christ?s appearing on the earth. (As the poet wrote: ?His reign of peace upon the Earth began. ?) In James McCarthy?s carol, the voices play a dual role, as narrator, and by evoking t…

Par VAUGHAN WILLIAMS RALPH. Written for Vaughan William's choir in surrey, these are beautifully judged for amateur voices. The music is direct and sharply characterised. Originally with orchestra, they are equally suitable for performance within choral concerts or as church anthems, with either organ or piano accompaniment. / Niveau : Facile / Répertoire / SATB

Psalm 117. Par GILL JOANNA. In this setting of Psalm 117 the composer has created an unusually serene and ethereal setting considering the meaning of the text. Most composers that have written settings of this Psalm 'Praise the Lord, all you Nations' have written music of a robust nature and celebration. However, this setting not only uses Hebrew text but the whole composition with the exception o…

Horn, Paul (Arr.) - Mh 837. Par HAYDN JOHANN MICHAEL. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his “beloved choir boys” in a scoring for two or three treble voices. The composition of the Leopoldi-M…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

'I sing because...' is the third and final movement of the choral suite Todd's 'Songs of Love', which was commissioned by Elena Sharkova for the Symphony Silicon Valley Chorale in 2012. The haunting and yearning text about love and loss is written by the American poet, Nils Peterson after a Greek poem by Maria Polydouri. With an aching melody which starts on upper voices and gradually builds to th…

In celebration of the 70th Anniversary of The Wizard of Oz, this book features all of the classic songs by E.Y. Harburg and Harold Arlen arranged for violin with a fully orchestrated CD accompaniment. This book also contains dozens of original production stills, including four pages of colour, publicity photos, an essay on the story behind the songs and biographies of the composers. This book is c…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Par BACH JOHANN SEBASTIAN. On the great feast days, the Magnificat was given at the evening service in Leipzig, following the sermon. Bach twice set this poem (Luke I, 46-55). One of these compositions, for solo soprano, has been lost. Of the other Magnificat, Bach composed his first version, In E-flat, with four inserted Christmas pieces, prepared for the evening service that holiday, 1723. His r…

Par PART ARVO. 'I have developed a highly formalised compositional system, which I have been using to write my music for twenty years. Summa is the most strict and enigmatic work in this series'', said Arvo Pärt in 1994. The neutral title itself embodies the essence of the content as the work is based on the text of the Latin Credo. The great simplicity of the piece masks its complexity. The under…