These pocket-sized swatch-packs are great for quick reference at home or on the go. Each Notecracker contains 70 handy reference cards, printed on both sides for quick access to chord diagrams, general music theory, jokes, quotes and snippets of musical trivia. Notecracker Vocal Warm-Ups is a selection of easy Vocal warm-ups, for all Voices. / Voix

for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is 3 violin quartets' wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: 'The thought of the quartets gives me pleasure. The piano is getting too narrow for me. In composing now I often hear a lot of things that I can barely suggest. For instance, it is remarkable how I invent almo…

Voices (8)/ Recueil / 8 Voix (SATB et SATB)

Par STANFORD CHARLES VILLIERS. The Benedictus and Agnus Dei in B flat is published as part of an ongoing policy to reissue works by Charles Villiers Stanford in the Autograph Edition, in new engravings but as the composer wrote and approved them, with no editing from another hand. Simple in texture but highly effective in performance, these two short movements are a useful addition to the repertoi…

From Heaven Distilled a Clemency is the third movement of Triptych , a cantata for choir and string orchestra. The aspirational text is underpinned by rhythmically-driving strings, allowing the voices to soar excitedly overheard. / Soprano, Choeur Mixte (SATB) Et Piano

O Aula Nobilis is a festive work, composed for the opening of the Natalie L. Haslam music center at the University of Tennessee. After the opening unaccompanied chant in the women's voices, the music, though clearly based on the chant melody, takes on a highly rhythmic, asymmetrical and angular character, with a bright and resonant quality. / Choeur Mixte (SATB) Et Piano

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Par LAURIDSEN MORTEN. Morten Lauridsen's setting of Lux Aeterna , a five movement, non-liturgical requiem for choir and chamber orchestra/organ is a rich and intensely moving work. Choral textures are fully explored, from the sonorous, slow unfolding of the Introitus and the intricate counterpoint and paired voices of In Te, Domine, Speravi , to the cappella motet O Nata Lux and spirited canticle …

Arrangeur: John Rutter. Par CARTER SYDNEY. Vocal Score Unison Voices (with optional descant) and piano./ Feuillet / Voix à L'Unisson et Piano

Discover the legendary voices of 20th century musical theatre. This book and CD features popular songs, hits from the shows and songs associated with key vocalists of the era, with arrangements and backings based on the authentic broadway productions where posSible. Information on singers, songs and shows is also included. à great resource for every singer! / TV, Film, Comédie musicale / Recueil …

Par GARDEL CARLOS. Love, fire, passion - as one of the most emotionally-charged dances, the tango is an ideal match for the flute and its duo partner, the piano, as all three join in for a charming musical experience. Argentine tango expert Diego Collatti has arranged five popular tangos originally composed by Carlos Gardel, who greatly influenced the genre with his interpretations and composition…

Tonalité : F-Dur -. Par HASSE JOHANN ADOLF. This psalm setting is composed using the practice in which the odd-numbered psalm verses sung in Gregorian manner alternate with the even-numbered verses which are set for a multi-voice choral ensemble. The sections for three voices are composed in the so-called “Palestrina style” and the tonal instinct is so masterful that, despite the fact that the sou…

Words anon. from The Fairy Queen Z 629/22. Par PURCELL HENRY. 2 Voices, Piano. Britten-purcell/ Répertoire / Contralto, Ténor et Piano

Par S CLUB 7. The sort of song that makes you feel glad to be alive, S Club 7's Reach is also the sort of song in which the sugary simple optimism will make your head ache. Arranged for piano, squeaky voices, and guitars. / Pop & rock / Feuillet / Piano, Chant et Guitare

Lat. Festival Motet for nineteen solo voices in four groups (from Symphoniae Sacrae). Text: Psalm 80, Vulgata 798 Full set of parts / Parties Orchestrales