Composed between 1920 and 1921, this set of Histoires is a suite of four short movements by Jacques Ibert selected out of the ten initial ones, for Flute and Piano. This publication was commissioned by the Alphonse Leduc editors and increased Jacques Ibert's popularity. This four pieces are as followed :3. Le vieux mendiant (The old beggar)4. 'A Giddy girl?6. Le palais abandonné (The abandoned pal…

This rousing triple meter choral is infused with traditional gospel harmonies, rhythms, and articulations, and the uplifting text conveys an urgent message for peace. The classic 'Dona Nobis Pacem' canon is quoted in three parts in the middle of the piece. An inspirational powerhouse! / Choeur Mixte (SATB)

Arranged by Frank Booth. Something to suit all tastes. Includes A Man And A Woman, Black Coffee, Danny Boy, I Write The Songs and Tuxedo Junction. / Piano / 296 pages / Partition

Der argentinische Komponist Martín Palmeri legte mit diesem Werk eine ausführliche Magnificat-Vertonung der besonderen Art vor: Mit Bandoneón und Klavier, dazu ein Streichorchester zum gemischten Chor beeindruckt es durch südamerikanischen Sound neben klassischen und traditionellen Elementen. / Choeur Mixte (SATB) Et Orchestre

Par JOSEF STOIBER FRANZ. This edition clarifies a performance aspect of Haydn’s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument parts are marked “solo”, indicating that they play important motifs or themes and ought to stand out. Contrary to other editions, the “solo” marking in the violoncello should n…

Hob I:81. Par HAYDN FRANZ JOSEF. Haydn' s Symphony in G major Hob. I:81 comes from a series of three symphonies completed in late 1784 (nos. 81, 80 and 79, presumably in that order). No autograph score survives for Hob. I:81, thus our Urtext edition is based on copyists' manuscripts and first editions. As with so many of his symphonies, Haydn wrote this one to provide new music for his employer, …

This double choir anthem setting a text from the 12th century Worcester Acclamations was written for St Paul's Cathedral, London, with the music incorporating breathing space to allow for the cathedral's natural reverberation. Counterpoint is contrasted with simple harmonies and glowing Alleluias to telling effect, plus melismatic solos for treble/soprano. The anthem starts from the sopranos and w…

A setting by Kaija Saariaho of texts by Amin Maalouf for solo Soprano with Piano. A joint commission between the Théâtre De Châtelet Paris and the Barbican Centre London, the piece was first performed in Paris, April 2003. The text features four short writings Attente, Douleur, Parfum De L'Instant and Résonances , with a complex Piano part that bubbles with effervescent textures and glissandi. / S…

Un must pour tous les fans de Wonder, c'est une collection complète de 75 gemmes 1963-1998. / Piano/Vocal/Guitare (PVG)

Dip In to this great selection of popular songs, jazz standards, film themes and show tunes. Specially graded to suit a wide range of playing levels. This book is specially bound to help the pages lie flat while you are playing. / Flûte Traversière

Introductie en variaties over het Dies Irae. Par DE HAAN JAN. De Ruigewaard is a large polder (reclaimed land protected by dykes) in the Dutch province of Groningen. Shortly after the land was reclaimed around 1500, a settlement was established at the location of the current village of Grijpskerk. This was the source of inspiration for this concert work, together with a 13th-century Gregorian them…

Par GREEN FRED PRATT. With his move to a Methodist Home for the Aged, Fred believed his writing days to be over. 'I knew that old age does nothing for the inspiration'. However, he was wrong, and this modest 'sequence in verse on the theme of old age' brings smiles and tears as Fred takes us into his new home and shares his, and the community's, hopes and fears, joys and sorrows in 53 'verses'; on…

Par DE HAAN JACOB. Originally Cornfield Rock was written by Jacob de Haan as a version for male choir. It was based on a text by William Shakespeare on a melody of Thomas Morley (It was a lover and his lass). The original melody however was abandoned completely and in its place Jacob de Haan created a new one in rock style. The title refers to the text: That o’re the green corne fields did passe. …