Par WIENIAWSKI. Wariacje na temat w asny'' op. 15 powsta y w 1854 i w tym samym roku ukaza y si drukiem, wydane przez firm Breitkopf und Hartel w Lipsku. Kompozycja oparta na technice wariacyjnej posiada nietypow form. Temat z trzema wariacjami (w dur) poprzedza molowy wst p z elementami kadencji. Fragment ten pojawia si ponownie po wariacjach, po czym nast puje fina w formie b yskotliwego walca, …

Par DOBRZYNSKI IGNACY FELIKS. Dobrzynski’s Two Mazurkas are worthy of pianists’ attention. Despite the considerable simplification of means and the use of a conventional form, the composer succeeded in creating miniatures not devoid of charm, elegance and a certain unpretentious freshness. Their performance does not require advanced skill, so they may represent valuable additions to the repertoire…

for Piano Op. 5. Par GARSCIA. Set on the ABRSM Grade 2 Piano syllabus. / Répertoire d'Examen / Répertoire / Piano

Par . It is ten well-known, beautiful and interesting works from the musical canon which today cannot be found on the obligatory programme of double bass competitions and also in school curriculum. We can only play them for pleasure! But is that not what teaching music is all about – to provide the pupil with pleasure from playing and hearing the most beautiful works in the history of music. These…

An Allegory For Reed Trio. Par WIDLAK. / Répertoire / Hautbois, Clarinette et Basson

Par KILAR WOJCIECH. / Répertoire / Quatuor à Cordes

Par CHOPIN FREDERIC / KOMINEK. / Répertoire / Piano et Quatuor à Cordes

Par MONTI VITTORIO. / Répertoire / Violon et Piano

Edition : Jan Ekier Paweł KamińskiChopin composed his ''Mazurkas'' continuously from 1825 to 1849. The half-utilitarian genre was a point of departure, gradually becoming a form of meditative lyricism - the most personal statement of expression. Chopin's ''Mazurkas'' present a number of specific performance problems resulting from such causes as the diversity of individual mazurkas, thei…

Par SZALONEK WITOLD. This work reveals the remarkable world of Szalonek?s imagination. Making use of the traditional form of the chaconne, he leaves the soloist ample possibilities for interpretation ? avec fantaisie ? particularly in terms of agogic shifts, and also in the way the narrative is led. In Chaconne-fantaisie, the soloist displays the whole spectrum of the violin?s sonoristic capac_x00…

Par RYBICKI. / Répertoire / Piano

Par . It is ten well-known, beautiful and interesting works from the musical canon which today cannot be found on the obligatory programme of double bass competitions and also in school curriculum. We can only play them for pleasure! But is that not what teaching music is all about – to provide the pupil with pleasure from playing and hearing the most beautiful works in the history of music. These…

Par CHOPIN FREDERIC / PADEREWSKI. / Répertoire / Trio avec Piano

Par LUCIUK JULIUSZ. The Three Miniature Pieces for violin and piano were written in 1984. The composer dedicated them to his daughter Agnieszka, who performed them during her diploma cincert at the end of her studies at Cracow Music Academy. This work forms cycle, to be performed as a whole, although each of the pieces can also function independently. As a cycle, it has an inner logic, based on an…