Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking an…

Par SZELIGOWSKI. / Répertoire / Piano

Par CHOPIN FREDERIC / EKIER. Komponowane przez Chopina nieprzerwanie od 1825 do 1849 roku, wyszed szy od gatunku na wpó u ytkowego, przeznaczonego do ta ca, sta y si form liryki refleksyjnej, wypowiedzi najbardziej osobistej. Stanowi wyraz t sknoty Chopina za krajem rodzinnym. Charakteryzuj si ograniczeniem rodków fakturalnych, miniaturowo ci i przejrzysto ci formy, kondensacj rodków harmonicznych…

Par KREISLER FRITZ / DUBISKA. / Répertoire / Violon et Piano

An Allegory For Reed Trio. Par WIDLAK. / Répertoire / Hautbois, Clarinette et Basson

Par BARGIELSKI ZBIGNIEW . After the first performance of my Fourth Quartet, in Salzburg in 1997, the artists of the excellent Hugo Wolf Quartett approached me with the appealing proposition that I write a new quartet. Rather problematic, however, proved to be the musicians’ delicate suggestion that I invest the work with elements of a more pungent expression and elements of folklore – ideally Poli…

Par PORADOWSKI STEFAN BOLESLAW. / Répertoire / Violon, Alto et Contrebasse

Par KULENTY HANNA. I composed Aisthetikos Duo for soprano saxophone and piano immediately after Aisthetikos for soprano saxophone, piano and orchestra. I hit on the idea of preparing a work that could be performed more often. I was approached with a request to write such a version of Aisthetikos by its first performers: Magdalena and Bartlomiej Dus. A composition for two soloists and orchestra is …

Par BACEWICZ / UMINSKA. / Répertoire / Violon et Piano

Par LUKASZEWSKI PAWEL. Wings Concertino is a chamber version of Wings Concerto , originally composed for two flutes and chamber orchestra. This work was written in a charming convention. The combination of a light neoclassical style with a Romantic mode of narration not only makes it easy on the ear, but also gives great satisfaction to the performers. Despite employing sparing means of expression…

For Clarinet, Bassoon And Marimba. Par SARAD MIKOLAJ. / Date parution : 2022-04-12/ Répertoire / Clarinette, Basson et Marimba

Par KABALEVSKY DIMITRI. / Niveau : Facile / Répertoire / Piano

Par KARLOWICZ / ORKISZ. / Répertoire / Violoncelle et Piano

Par BACEWICZ GRAZYNA. / Répertoire / Quatuor à Cordes