Par GIULIANI. Mauro Giuliani - a leading guitar virtuoso of the first half of the 19th century, was performer in the concert halls and salons of that era. Giuliani performed with such great virtuosi as Hummel, Mayseder and others. K. M. von Weber, reffering to his concert in Prague in the autumn of 1816, expressed the opinion that Giuliani had raised the status of the guitar to that of a concert i…

Par MONTI VITTORIO. / Répertoire / Flûte Traversière et Piano

Par KATSKI ANTONI. Souvenir de Cracovie, published circa 1870 with the subtitle Improvisation sur les krakowiak nationaux (an improvisation on the themes of national Krakowiaks), dedicated to Countess Franciszka Komorowska (Madame la Comtesse Françoise de Komorowska) is a very pretty composition which upgrades the folklore to the level of salon music. After several bars of mysterious introduction …

Par SEROCKI. / Répertoire / Trombone et Piano

Par LUKASZEWSKI PAWEL. / Répertoire / Quatuor à Cordes

Par CHYRZYNSKI. / Répertoire / Clarinette

Par KRZANOWSKI ANDRZEJ. Relief VII (1988) is a composition in which we can hear echoes of phrases contained in Programme no. 6 and Relief IV. This time they are evoked by tubular bells in secundal-tritonal motifs and, in general, by other percussion instruments. The accordion part is dominated by the narrative of unrestrained repetition, often based on broken ninth structures, ending with four sil…

Par WIENIAWSKI / REZLER. / Répertoire / Violon et Quintette à Cordes

Par MENGJIQI. / Répertoire / 4 Contrebasses

Par CHOPIN FREDERIC / KOSZEWSKI. / Répertoire / Piano

Par BOGUNIA ADAM. As a tuba teacher in primary and secondary schools of music and a lecturer on the Instrumental Department of Cracow Academy of Music for many years, I have encountered considerable difficulty in acquiring sheet music for this instrument. Hence I have prepared my own exercises, studies and arrangements suitable for teaching the tuba to pupils and students. Some of that material is…

Par KILAR. / Recueil / Piano

Par LIPINSKI KAROL. Two Impromptus, Op. 34 posth. Are beautiful, melodious and charming miniatures, which compouser dedicated to his close friend, Franz Schubert. The impromptu no. 1 in D minor demands a good technical abilities of both hands rom the player. The double-stops give the opportunity to strenghten the left-hand fingers ( accompaniament), while the oght hand concentrates on the steady m…

Par BACEWICZ / UMINSKA. / Répertoire / Violon et Piano