Par VILLETTE PIERRE. This edition of Salve Regina by Pierre Villette is a version of this Marian hymn for SATB a cappella. It's written with lyrics in Latin and should be sung at a slow tempo (52). The lyrical piece features a long introduction followed by the Soprano solo and a finale. At the end of the solo, the voices alternate between the initial tempo and some slower parts to arrive to the cl…

Par PAGANINI NICCOLO. Paganini’s Inno patriottico con variazioni for solo violin M.S. 81 is a composition dating back to the period between 1796 and 1800, during which he also composed works such as the Carmagnola con variazioni M.S. 1 for violin and guitar, the Grande Concerto M.S. 75, the Tema variato for violin M.S. 82 and the Sonata a violin solo M.S. 83. There is not very much background mate…

These two extraordinary works of late Mozart, KV 594 and KV 608, were both composed to fulfill a commission for a memorial exhibit in Vienna, to be played in a 'mechanical clock organ.? The term 'fantasy? or 'fantasia? came to be affixed to these works later, and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue, 'Ein Stüke für ein Orgelwerk in ein Uhr.? They…

A colourful piece culminating in an exciting sea battle between the English and the French at the time of Henry VIII / Ensemble A Cordes

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …

Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generatio…

Par TARKIAINEN OUTI. Tarkiainen writes: The Lustful Mother's Heart is a solo work that plumbs the depths of one of the most fundamental human instincts - the tie between a mother and her new-born child that, as day follows day, becomes less part of its mother's body. The work develops themes from my song cycle The Lustful Mother in which long solo viola passages strike to the very heart of down-to…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

2ème édition' prix à la baisse! Plus de 150 chansons, transcriptions note-pour-note pour Guitare tablatures avec les paroles complètes. Titres : Aerials [System Of A Down] All Apologies [Nirvana] All Day And All Of The Night [Kinks, The] All The Small Things [blink-182] All Your Love (I Miss Loving) [Rush, Otis] American Woman [Kravitz, Lenny] Badge [Cream] Best Of You [Foo Fighters] Birthday […

Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto …

Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted vio…

From Op.47, 107, 120, 126, 160 and Méthode de violoncelle. Par DOTZAUER JUSTUS JOHANN FRIEDRICH. Friedrich Dotzauer (1783–1860) learnt several instruments during his childhood, but decided in favour of the cello as his main instrument, as “only the violoncello evoked the unforgettable soulful alto voice of his dear mother” (Art. “Dotzauer”, Allgemeine Deutsche Biographie, 1877). He composed and p…

Par BARRETT DAVID. Designed to augment level 2 of David Barrett's Harmonica Masterclass Series, this video bridges the gap between what can be studied at home and what can only be learned in private lessons. Fantastic visuals and camera close-ups ensure that even the smallest details are seen. Topics include how to practice, holding the harmonica, memorizing the harp, and several lessons on embouc…

Diego Ortiz's Trattado is a classic in the art of musical ornamentation. Part 1 provides examples of every cadence while part 2 discusses the interplay between viola da gamba and harpsichord, including many pieces for this combination of instruments as illustrations. All lovers of early music are familiar with Ortiz's standard work, but how many of them have actually read it' This new edition mak…

Step into the spotlight and play along with the superb backing tracks on the specially recorded CD with a duet partner. Guest Spot Duets includes two CDs containing four tracks for each song: a full performance demonstration, one backing track omitting both duet parts, one containing the first duet part only, and one the second part. So whether or not you have a duet partner, Guest Spot Duets incl…