| Mosè In Egitto 1 - 2 (ROSSINI GIOACHINO) Voix et Piano Réduction Ricordi
Ed. Critica Di Charles S. Brauner - Riduzione Per Canto E Pianoforte. Par ROSSINI GIOACHINO. Reduction for voice and piano based on the critical edition of the orchestral score. In two volumes. Volume 1 contains Act One, with characters, instrumentation, index of pieces, source notes, a preface, and critical notes. Volume 2 contains Act II and Act III. 'Mosè in Egitto (1818) is the fourth of the n…
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| The Bb Real Book Vol.2 Mini Edition Instruments en Sib [Fake Book] Hal Leonard
The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legit…
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| Liebster Immanuel, Herzog Der Frommen (BACH JOHANN SEBASTIAN) Chorale SATB SATB, Piano [Partition] Carus Verlag
Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movem…
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| Préludes Op. 28 et 45 (CHOPIN FREDERIC) Piano seul [Partition] PWM (Polskie Wydawnictwo Muzyczne)
NATIONAL EDITION SERIES A VOLUME 7 Jan Ekier. Par CHOPIN FREDERIC. The Preludes of Op. 28 include all 24 major and minor tonalities arranged in a circle of fifths, with each major key being followed by its relative minor. Contrary to custom of using this type of piece as didactic material, Chopin's cycle was intended as concert music. The Preludes are a diverse variety of mood, tempo, articulation…
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| Fanfares (SHAPEY R.) Violoncelle, Orchestre Barenreiter
This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. S…
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| Klar/Obskur (SCHWEITZER BENJAMIN) Hautbois, Basson et Piano [Conducteur] Schott
Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments,…
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| Subito (LUTOSLAWSKI WITOLD) (LUTOSLAWSKI WITOLD) Clarinette et Piano [Partition] PWM (Polskie Wydawnictwo Muzyczne)
Par LUTOSLAWSKI WITOLD. Subito ? literally meaning ?suddenly? ? is a virtuosic scherzo filled with dazzling colours. The title itself defines the character of this work. Its expression is shaped by violent changes of tempo and dynamics, clashes between brilliant passagework and distinct articulation, on the one hand, and lyrical phrases, on the other, and a constant contrast between intense sonori…
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| 20 Jazz Etudes (AMANTI LUCIO) Violoncelle Schott
The Italian cellist Lucio Amanti devotes himself to the crossover between classical and jazz music. His well-known 'Jazz Suite' for cello solo bridges the gap between the solo suites by Bach and the jazz music of our time.Now he attends for the first time to the subject of the étude, with suggestions from pop, jazz and improvisation. The individual études use different styles from jazz ballad to s…
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| Ragtime (JOPLIN SCOTT) Piano seul Barenreiter
'It's never right to play Ragtime fast.?(Scott Joplin)Most listeners associate 'ragtime? with the music of Scott Joplin, one of the earliest African-American composers to straddle the divide between classical and popular music. It was Joplin who brought this musical style to the pinnacle of perfection.The term 'ragtime? stems from 'ragged time? and describes the contrast between the sprightly sync…
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| St. Martin's Suite (VAN DER ROOST JAN) Fanfare [Conducteur et Parties séparées] De Haske Publications
Par VAN DER ROOST JAN. This suite was composed by Jan Van der Roost on the occasion of the 110th anniversary of the ‘Koninklijke Sint Martinusfanfare’ (Royal Saint Martinus Fanfare Band) from Halle (Belgium). The composer was required to create a suite in three movements based on three images associated with the ‘Sint Martinusfanfare’ from the small town of Halle in the province of Brabant. The fi…
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| Concerto (ADLER SAMUEL) Tuba et Piano Theodore Presser Co.
Par ADLER SAMUEL. Premiered in October 2018 by the Toledo Symphony Orchestra, principal tubist David Saltzman as soloist, the Concerto features three movements with a cadenza between the second and third. Adler likens the solo passages in the first movement and cadenza to a singing cantor, an obvious homage to his own father's work in that role. Listen as Toledo Symphony Lab discusses the Concerto…
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| High Five - 1 Piano 4 Hands (GRILL JOYCE) 1 Piano, 4 mains Alfred Publishing
This energetic duet in 2/2 meter contains many exciting elements that are sure to please students and audiences. Written in G major, a variety of articulations are used, including legato, staccato, and several tenutos. There are many repeated patterns that trade back and forth between primo and secondo, and a wide range of dynamics creates a thrilling performance. There is waving, 'high fiving,' a…
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| Sight-Reading Made Easy. Book 5 Higher (BRADLEY DOROTHY / TOBIN RAYMOND) Piano Facile [Partition] Stainer and Bell
Book 5. Par BRADLEY DOROTHY / TOBIN RAYMOND. Keys including sharps and flats, melodies with greater complexity of detail, broken chord figures, syncopations, part-writing and easy antiphonal movement of parts with independent phrasing between the hands, phrases beginning on quarter-beat, subdivisions of quaver in compound time, pedalling. Guided tests train eye to follow independent parts and gibe…
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| Œuvres complètes VI/3 (FAURE GABRIEL) Piano seul [Partition] Barenreiter
Sonata for Piano N 5 /Three Romances Without Words op. 17 N 52 / Mazurka N 8 / Prelude [and Fugue] N 17 / Gavotte N 14 / Short Pieces op. 84 N 147 / Mazurka op. 32 N 75 / Five Impromptus. Par FAURE GABRIEL. Centering on the important series of the “Impromptus”, the collection of “Pièces brèves”, and the “Trois Romances sans paroles”, the present volume also gathers piano works by Gabriel Fauré tha…
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| Go Fourth - Position Changing For The Cello (TAYLOR LORNA) Violoncelle, Piano Spartan Press
Easy to follow, structured material to teach pupils whatever their age, 4th position and the process of shifting between 1st and 4th positions. See also 'Taylor Made'.Complete with Cello part, pull-out piano accompaniment and CD. Easy to follow, structured material to teach pupils whatever their age, 4th position and the process of shifting between 1st and 4th positions. These cello tunes have fai…
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| 33 Variations On A Waltz Op. 120 And Variations (BEETHOVEN LUDWIG VAN) Piano seul [Conducteur] Barenreiter
on a Given Theme Most Excellent Composers and Virtuosos Diabelli Variations. Par BEETHOVEN LUDWIG VAN. Beethoven's 'Diabelli Variations”, written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach's 'Goldberg Variations” form one of the most important contributions to this genre. In addition to Beethoven, 50 other composers from Austria, mainly Vienna, followed …
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| La Gloria E Imeneo Rv 687 (VIVALDI ANTONIO) Chorale SATB SATB, Piano Ricordi
The present reduction derives from the critical edition of the score of La Gloria e Imeneo, published in this catalog. The opera belongs to a group of the so-called 'French serenatas' by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdo…
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| Trio Op. 8 For Piano, Violin And Cello (CHOPIN FREDERIC) Piano Trio: piano, violon, violoncelle PWM (Polskie Wydawnictwo Muzyczne)
This volume contains parts for violin, viola and cello.The National Edition of the Works of Fryderyk ChopinPublished by PWMExclusively Distributed by Hal Leonard CorporationCo-EditorsJan Ekier and Pawel KaminskiThe objective of the National Edition is to present Chopin's complete output in its authentic form, based on the entire body of available sources. Sources were analyzed with up-to-date scie…
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| Also Hat Gott Die Welt Geliebt (BUXTEHUDE DIETRICH) Solo S, 2 Violons, Viole de Gambe et Basse Continu [Partition] Carus Verlag
Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Also hat Gott die Welt geliebet' is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between …
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| Quer Bach A Cappella (BACH JOHANN SEBASTIAN) Chorale Schott
Bach newly interpreted - the vocal band Slixs edited a songbook for mixed vocal ensemble or small choral ensemble containing unusual arrangements of instrumental works by Johann Sebastian Bach. The arrangements range between classical interpretation and flirting with jazz. They demand from the singers a profound basic education in music and flexible alternation between the voices. Explanations of …
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| 14 Motetten (BRUCKNER ANTON / DOSS THOMAS (Arr) Orchestre d'harmonie [Conducteur] Oktavian Music
Anton Bruckner (18241896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colou…
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| Sonate (WINTERBERG HANS) Violoncelle, Piano [Partition] Bote and Bock
Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almost the entire period of the 20th century and was influenced as a composer by its most important artistic innovations. Already a brilliant pianist as an adolescent, he studied with Alois Hába and Alexander von Zemlinsky in Prague. Both his life and his music reflect the Austrian-Czech-Jewish cultural symbiosis; he saw h…
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| Music for Saxophone and Piano (SCHWARTZ JAY) Saxophone Alto et Piano Universal Edition
Par SCHWARTZ JAY . From the composer: “I composed Music for Saxophone and Piano for Harry Kinrose White in 1992. It is an early attempt in my work at magnifying the barriers between sound and silence, exploring the extreme ranges of pianissimo sounds in the saxophone that seem to appear without recognizable transition out of nothing. Glissandi, sliding tones, have always fascinated me, and in this…
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| Poème Symphonique (LIGETI GYORGY) 100 Métronomes [Conducteur] Schott
Par LIGETI GYORGY. The formal thinking behind the piece is based on the interaction between individually determined periodic rhythms and a cumulative polyrhythmic overall structure. Although the overall rhythmic structure is on an indeterminate level intermediate - the result of adding individual periods of different length is at any given time random -, it is again determinate on the higher level…
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| Katze, Schnee und Dudelsack (SCHWAEN KURT) Piano seul [Partition] Peters
Par SCHWAEN KURT. Katze, Schnee und Dudelsack, Zwölf Klavierstücke für Kinder (KSV 196) by Kurt Schwaen is a 10-minute work for solo piano. The twelve piano pieces were written between 15 November 1959 and 2 January 1960. Kurt Schwaen was an extremely productive composer whose style could be classified between Bartók, Stravinsky and Hindemith. Katze, Schnee und Dudelsack (\'Cat, Snow and Bagpipe\'…
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| Zoroastre - RCT 62 A-B Symphonies (RAMEAU JEAN-PHILIPPE) Orchestre [Conducteur] Barenreiter
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the version of 1756. Opera in five acts. Rameau’s revised version of his opera “Zoroastre”, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today’s point of view the work profits dramaturgically from many of the changes and seems altoget…
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| Datura op. 57 (YE XIAOGANG) Flute, Violin, Cello and Piano [Conducteur et Parties séparées] Schott
Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and was written in a unique way. I composed the piece in installments over the summer of 2006 and emailed them to Seth Boustead who forwarded them on to the ensemble. In this unique way of working I was able to have time between each installment to think about what would come next and to get feedback from the performers abo…
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| Kreisleriana, Op. 16 (SCHUMANN ROBERT) Piano seul Alfred Publishing
Robert Schumann's Kreisleriana for piano is a cycle of eight contrasting pieces composed in 1838. The work belongs to one of Schumann's most creative periods. It was influenced by the writings of author E. T. A. Hoffmann and was inspired by Schumann's love for his wife, Clara. The current edition has been thoroughly researched, with comparisons made between all early sources. The 1850 second editi…
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| Wer Hat Dies Liedel Erdacht (MAHLER GUSTAV) Flûte traversière et Piano Universal Edition
5 Selected Songs. Par MAHLER GUSTAV. The only known chamber music by Gustav Mahler is a movement for piano quartet from his student days at the Conservatorium in Vienna (1875-1878). The present new arrangements by Ronald Kornfeil go some way to addressing this gap while they also enrich the repertoire with pieces that are very interesting and demanding in their own right. The composer's rich song …
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