Par BULLA STEPHEN. All right. Admit it. When you were a kid, some of your favorite music came from cartoonland. Who knows? It may have been cartoons that first introduced you to your favorite classical masters. Would Rossini's 'William Tell Overture' be what it is today had there been no cartoons? Isn't the glissando the REAL reason your Trombone section decided to play that particular instrument?…

Ce volume de la série la plus facile de Keyboard Collection comprend 21 succès de tous les temps dans les arrangements de ligne de mélodie facile pour tous les claviers électroniques.Idéal pour les débutants, chaque chanson possède les symboles d'accord, paroles, suggérées enregistrement, le rythme et le tempo.Facile à suivre les schémas de clavier sont regroupés au début de chaque chanson et mont…

Par HANNICKEL MIKE. This exciting medley of American spirituals is sure to please! Mike Hannickel's carefully crafted THREE AMERICAN SPIRITUALS helps young bands develop those all-important listening skills. They'll hear how each tune contrasts and complements the others when “Go Tell It On The Mountain”, “Swing Low, Sweet Chariot” and “Who did Swallow Jo-Jo-Jonah” all come together in rousing cou…

Par HANNICKEL MIKE. This exciting medley of American spirituals is sure to please! Mike Hannickel's carefully crafted THREE AMERICAN SPIRITUALS helps young bands develop those all-important listening skills. They'll hear how each tune contrasts and complements the others when “Go Tell It On The Mountain”, “Swing Low, Sweet Chariot” and “Who did Swallow Jo-Jo-Jonah” all come together in rousing cou…

Par KREISLER GEORG. Small-scale art music by Georg Kreisler (lyrics and music): Kreisler, who died in 2011, wrote the 'Untergangssextet' [Sextet of Doom] shortly before his death. He finished it save for the last bars; his fellow countryman Gerhard Wimberger added the ending (23 bars) in this version. Inspired by the pianist Sherri Jones, Kreisler, as in 'Fünf Lieder für Barbara', seized on ideas …

Par GURNEY IVOR. Originally for Piano and String Quartet, and later provided with piano accompaniment by the composer. Newly edited, with an introduction by Michael Pilkington. Contents Far in a Western Brookland (D flat - G flat) The Lent Lily (E - A) Ludlow Fair (E - G) On the idle hill of summer (F - A) 'Tis time, I think (F - G flat) When I was one and twenty (E - G) When smoke stood up from L…

Playing on the Changes features 13 jazz etudes through the various chord qualities found in standards and jazz tunes in all 12 keys. Areas covered include major 7th chords, minor 7th chords, dominant 7th chords (Mixolydian, altered dominant, and half-whole diminished), minor ii (flat-5) chords, tritone substitutions, and a variety of progressions using all of the above. Bob Mintzer has written out…

Playing on the Changes features 13 jazz etudes through the various chord qualities found in standards and jazz tunes in all 12 keys. Areas covered include major 7th chords, minor 7th chords, dominant 7th chords (Mixolydian, altered dominant, and half-whole diminished), minor ii (flat-5) chords, tritone substitutions, and a variety of progressions using all of the above. Bob Mintzer has written out…

Par HOSAY JAMES L.. A major piece to feature your Clarinet section! James L. Hosay has used his considerable compositional skill beautifully in creating this exuberant new offering for your band. It’s a great showpiece for your reeds, but it leaves no one behind when the fun begins. The Baroque and Classical underpinnings of this original composition open the door for a wonderful educational encou…

Une compilation de standards de jazz couvrant un très large répertoire. Pendant longtemps il a été difficile de trouvez ces morceaux imprimés. Vous trouverez dans ce recueil les partitions, pour instrument Eb (Mi bémol) de tous les tires suivants: / Instrument En Mib / Partition + Cd

These three a cappella movements each originate from different largescale compositions, some for fairly substantial forces. In these works, when the focus is turned on the essence of a statement, I have (probably out of pure instinct) permitted all adjuncts - such as subtle orchestral accompaniment, opulent percussion, soloists, electronics etc. - to fall silent and tried to express myself through…